Focal Points

Lady Dacre's black dress juxtaposes her pale white skin conjuring a glow, thus the focal point is Lady Dacre herself. The background color is dull and shaded, also contrasting her bright white skin.
The group of men and horses head towards the left of the picture due to their positioned feet and where their fronts face. The slightly bent leg of the man suggests motion. The focal point is upon the front of the group however there is a vanishing focal point that catches a viewers' eye. The pack is at a linear perspective from the vanishing point and the background is created to show an aerial view, thus depth and far distance is shown.
Some skins of the people are slightly saturated, suggested by the deeper orange color. The people encircling the center of the commotion have their eyes drawn to the center, making the two people being hung a focal point. However, another focal point would be the open circle at the top due to the lines that make up the structure of the hut drawn towards it. It is the suggested main source of light in the picture since the hut is shaded. 
The horses are differently positioned as one is lined diagonally to convey nearly a sitting position while  the other horizontally surrenders to a sitting position. The focal point is the man with the lasso as his taller height dominates. Since his body is nearly a straight, vertical line, it communicates strength, stability, and authority. 
Taking into the account the sharpened faces and bodies of the two men at the closest table compared to the dull, unfocused men in the back, the front table as a whole is the focal point. The man in the blue is the dominant focal point because he is the only one not directing his gaze downward. His dark blue shirt as well contrasts the brown theme around him. 
Clearly the Virgin of Guadalupe is the focal point of this particular artwork due to her position, size, and emphasis. She is centered in the middle, while she obtains a hierarchical power as she is distorted larger than those around her. Her figure is emphasized by the bright white outline that makes her glow. Those that surround her from the background are positioned so that their directional gazes or bodies are drawn towards the center.
The patterns encompass the center with their edges pointing towards the center, thus the focal point. It has also radial balance.
Due to the distorted head compared to the body, the head of this sculpture is the focal point.
Clearly size in relation to the priest and the bull in the background shows the true focal point, the character flying. The choice of slight complement colors (red/green) draw attention compared to the lack of color scheme in the background
Although there are two girls with different positions and one is drawn to be closer, the focal point is the girl bent downward towards a horizontal line position. Those in vertical position have the tendency to be the focus, but the directional gaze of the spectators in the background overrule that thought.
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