Fotografia

Maurizio Nicosia | ABA Bologna e Ravenna

Photogenic Drawing of a Plant, William Henry Fox Talbot, c. 1840, From the collection of: Cantor Arts Center at Stanford University
Articles of China, William Henry Fox Talbot, c. 1844, From the collection of: Harvard Art Museums
[Two women posed with a chair], Albert Sands Southworth, ca. 1850, From the collection of: Amon Carter Museum of American Art
Bayard et les Statuettes, Hippolyte Bayard, c. 1850 - printed 1976, From the collection of: The Museum of Fine Arts, Houston
View of the Odeon of Herodes Atticus from the southwest, Robertson James, 1853/1854, From the collection of: Benaki Museum of Greek Civilization
Study of the Head of John the Baptist in a Charger, Oscar Gustav Rejlander, 1855, From the collection of: Royal Collection Trust, UK
Cathédrale d'Amiens, Portail principal, Édouard Baldus, 1855, From the collection of: The Museum of Fine Arts, Houston
Rheims Cathedral, Gustave de Beaucorps, 1857, From the collection of: The Museum of Fine Arts, Houston
Brig on the Water, Gustave Le Gray, 1856, From the collection of: Princeton University Art Museum
Brig upon the Water, Gustave Le Gray, 1856, From the collection of: The Nelson-Atkins Museum of Art
Scherzo di Follia, Virginia Verasis Countess of Castiglione, 1863 - 1866, From the collection of: Musée d’Orsay, Paris
Mrs. Herbert Duckworth (1846-1895), born Julia Prinsep Jackson, later Mrs. Julia Stephen, Mother of Virginia Woolf, Julia Margaret Cameron, 1867, From the collection of: The Museum of Fine Arts, Houston
Julia Jackson, Julia Margaret Cameron, English, 1815 - 1879, 1867, From the collection of: Philadelphia Museum of Art
La Santa Julia, Julia Margaret Cameron, 1867, From the collection of: Art Gallery of Ontario
The Wild Flower, Julia Margaret Cameron, 1867, From the collection of: The Museum of Fine Arts, Houston
Yosemite Valley, Carleton Emmons Watkins, c. 1866, From the collection of: The Museum of Fine Arts, Houston
Multnomah Falls, Cascades, Columbia River, Carleton Emmons Watkins, 1867, From the collection of: The Museum of Fine Arts, Houston
Cape Horn, Columbia River, Oregon, Carleton Emmons Watkins, 1867, From the collection of: The Museum of Fine Arts, Houston
Hunting by Steam in Melville Bay, William Bradford, 1869, From the collection of: The Museum of Fine Arts, Houston
Dog, Pompeii, Giorgio Sommer, c. 1870, From the collection of: The Museum of Fine Arts, Houston
Impronte umane, Pompei, Giorgio Sommer, about 1880, From the collection of: The J. Paul Getty Museum
Running, Eadweard J. Muybridge, 1878 - 1881, From the collection of: The J. Paul Getty Museum
Running (Galloping), Eadweard J. Muybridge, 1878 - 1881, From the collection of: The J. Paul Getty Museum
View from Inspiration Point, Carleton Watkins, 1879, From the collection of: Princeton University Art Museum
The Cliff House, San Francisco, Carleton Watkins, about 1879 - 1880, From the collection of: The J. Paul Getty Museum
[Trestle on Central Pacific Railroad], Carleton Watkins, negative 1877; print about 1880, From the collection of: The J. Paul Getty Museum
Nude Study, Robert (Leon) Demachy, 1880, From the collection of: The Museum of Fine Arts, Houston
The Horse in Motion as Shown by Instantaneous Photography with a Study on Animal Mechanics.., Eadweard Muybridge, 1881-1882, From the collection of: National Gallery of Art, Washington DC
Laura, Circle of Thomas Copperthwaite Eakins, c. 1883, From the collection of: The Museum of Fine Arts, Houston
Naked Series: Old Man, Thomas Eakins, about 1883, From the collection of: The J. Paul Getty Museum
Nude Woman in a Mask, Circle of Thomas Copperthwaite Eakins, c. 1883, From the collection of: The Museum of Fine Arts, Houston
Chronophotograph of a Man on a Bicycle, Étienne Jules Marey, c. 1885/1890, From the collection of: National Gallery of Art, Washington DC
Arab Horse Gallup, Étienne-Jules Marey, 1887, From the collection of: The Museum of Fine Arts, Houston
Movements in Pole Vaulting, Étienne-Jules Marey, c. 1890, From the collection of: The Museum of Fine Arts, Houston
La Marche / La Course Rapide, Étienne Jules Marey, Michel Berthaud, negative about 1890; published 1893, From the collection of: The J. Paul Getty Museum
High Jump (Couper a 132 M/M), Etienne Jules Marey, 1900, From the collection of: Art Gallery of Ontario
[The Terminal], Alfred Stieglitz, 1893, From the collection of: The J. Paul Getty Museum
Untitled, Henri Becquerel, 1901, From the collection of: The Museum of Fine Arts, Houston
[Spring Showers --- The Street-Cleaner], Alfred Stieglitz, 1900 - 1901, From the collection of: The J. Paul Getty Museum
Self-Portrait, Edward Steichen (American, 1879 - 1973), 1901, From the collection of: The J. Paul Getty Museum
The Hand of Man, Alfred Stieglitz, 1902, From the collection of: The J. Paul Getty Museum
In the New York Central Yards, Alfred Stieglitz, 1903, From the collection of: Amon Carter Museum of American Art
Steps into Chapter House, Wells Catheral, Frederick H. Evans, 1903, From the collection of: The Museum of Fine Arts, Houston
[The Flatiron Building], Alfred Stieglitz (American, 1864 - 1946), 1903, From the collection of: The J. Paul Getty Museum
Fontaine des Innocents, Eugène Atget, 1903, From the collection of: The Museum of Fine Arts, Houston
Rodin, Edward Steichen, 1900/1903, From the collection of: Minneapolis Institute of Art
Portrait of Clarence White, Edward Steichen, 1905, From the collection of: Denver Art Museum
Rodin--Le Penseur, Edward Steichen, 1900/1906, From the collection of: Minneapolis Institute of Art
Watching the Dancers, Edward S. Curtis, 1906, From the collection of: Amon Carter Museum of American Art
[Leicester Square, London, England], Alvin Langdon Coburn, 1906, From the collection of: The J. Paul Getty Museum
The Steerage, Alfred Stieglitz (American, 1864 - 1946), 1907, From the collection of: The J. Paul Getty Museum
The Steerage, Alfred Stieglitz, 1907, From the collection of: Minneapolis Institute of Art
Alfred Stieglitz, Esq., from Camera Work No. 21, Alvin Langdon Coburn, 1908, From the collection of: Amon Carter Museum of American Art
Morning, Clarence Hudson White, 1908, From the collection of: The Museum of Fine Arts, Houston
City of Ambition, Alfred Stieglitz, 1910, From the collection of: Amon Carter Museum of American Art
Williamsburg Bridge, Alvin Langdon Coburn, 1910, From the collection of: Amon Carter Museum of American Art
The Flat-Iron, Alvin Langdon Coburn, negative 1909; print 1910, From the collection of: The J. Paul Getty Museum
The Aeroplane from Camera Work, No. 36, Alfred Stieglitz, 1910, From the collection of: The Museum of Fine Arts, Houston
The Octopus, New York, Alvin Langdon Coburn, 1912, From the collection of: George Eastman Museum
Manhattan, Brooklyn Bridges, Woolworth, Karl Struss, 1912, From the collection of: Amon Carter Museum of American Art
No title (A turreted berg), Frank Hurley, (1913), From the collection of: National Gallery of Victoria
The Prairie, Laura Gilpin, 1917, From the collection of: Amon Carter Museum of American Art
Georgia O'Keeffe, Alfred Stieglitz (American, 1864–1946), 1918, From the collection of: The Art Institute of Chicago
Georgia O'Keeffe, Alfred Stieglitz, 1920, From the collection of: George Eastman Museum
Moonlight, Garden of the Gods, Colorado, Laura Gilpin, 1920, From the collection of: Amon Carter Museum of American Art
Sunflower, Edward Steichen, 1920, From the collection of: George Eastman Museum
Sunrise on the Desert, Laura Gilpin, 1921, From the collection of: Amon Carter Museum of American Art
Powerhouse mechanic, Lewis W. Hine, 1920, From the collection of: George Eastman Museum
Power House Mechanic, Lewis Wickes Hine, 1920-1921, From the collection of: Brooklyn Museum
Powerhouse Mechanic, Lewis W. Hine, 1921, From the collection of: The Museum of Fine Arts, Houston
Isadora Duncan in the Parthenon, Athens, Edward Jean Steichen, 1921, From the collection of: The Toledo Museum of Art
Figure in a Landscape, Anne W. Brigman (American, 1869 - 1950), 1923, From the collection of: The J. Paul Getty Museum
Reclining Nude, Vienna, Anton Josef Trcka, 1926, From the collection of: The Museum of Fine Arts, Houston
Taos Ovens, New Mexico, Laura Gilpin, 1926, From the collection of: Amon Carter Museum of American Art
Criss-Crossed Conveyors--Ford Plant, Charles Sheeler, 1927, From the collection of: The Nelson-Atkins Museum of Art
Migrant Mother, Nipomo, California, Dorothea Lange, 1936, From the collection of: Minneapolis Institute of Art
Silverware, Walker Evans, 1936, From the collection of: The Nelson-Atkins Museum of Art
Battlefield, Russian, c. 1943, From the collection of: The Museum of Fine Arts, Houston
Brasília, Bodanzky, Jorge, 1964, From the collection of: Instituto Moreira Salles
Brasília, Bodanzky, Jorge, 1964, From the collection of: Instituto Moreira Salles
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