Choice-supportive Bias:While these people escape horrors that may be in the darkness, they could be heading in the direction of something worse, but this bias led them to not see flaws in their choice.
Outcome Bias: This painting of soldiers gambling, is an excellent example of where outcome bias is a flaw in human perception.
Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village", Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), 1767, From the collection of: Yale Center for British Art
Confirmation Bias: The man being yelled at could be refusing to believe an invasion is occurring simply because he has not seen it for himself.
Servants Washing a Deer, Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s), ca. 1775, From the collection of: Yale Center for British Art
Blind-spot Bias: This man could think that he has chosen the best animal on the market, meanwhile not realizing that his blind-spot bias led him to pick it simply for its rich color of fur.
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures, John Flaxman, 1755–1826, British, undated, From the collection of: Yale Center for British Art
Overconfidence: This man's confidence has caused him to take greater risks, like turning his back to his attackers.
Credits: All media
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