What opportunities do digital archives provide us? What are the limitations of digital collections? There is a theory of learning that states no copy can replace the original, but this is how the practice of Art History as perpetuated its cannon for almost a century. Rather than mourn our disingenuous copies, what could be accomplished by asking ourselves what we could do with the freedom a copy provides? The freedom to experiment, play, and interact without fear of destruction or loss. Will the art world out-live it's bourgeois economy based in the "unique," and will it find its purpose within the contemporary, endlessly replicable digital world?