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The Farewell, Daniel Ridgway Knight, after 1874, From the collection of: Huntington Museum of Art
Fidelia and Speranza, Benjamin West, 1784, From the collection of: Harvard Art Museums
The Garden Wall, Winslow Homer, 1880, From the collection of: Huntington Museum of Art
The Amateurs, Honoré Daumier, 1865-1868, From the collection of: The Walters Art Museum
Episode from "The Corsair" by Lord Byron, Eugène Delacroix, about 1831, From the collection of: The J. Paul Getty Museum
Standing Ruff, Gerardus van Veen, 1677, From the collection of: The J. Paul Getty Museum
A View of the Bay of Naples, Looking Southwest from the Pizzofalcone towards Capo di Posilippo, Giovanni Battista Lusieri, 1791, From the collection of: The J. Paul Getty Museum
One of the falls on the Apsley, Conrad Martens, 1873, From the collection of: National Gallery of Victoria
Landscape with Cottages and Figures, James Ward, undated, From the collection of: Yale Center for British Art
Nun, Guillem Roca, 1894, From the collection of: Rafael Masó Foundation
Rheinfels Looking to Katz and Gourhausen, Joseph Mallord William Turner, 1817, From the collection of: Yale Center for British Art
Near Ambleside, Francis Towne, 1786, From the collection of: Yale Center for British Art
Andernach, Joseph Mallord William Turner, 1817, From the collection of: Yale Center for British Art
Storm: Waiting for the Caravan, Alfred Jacob Miller, 1858-1860, From the collection of: The Walters Art Museum
Interior of Fort Laramie, Alfred Jacob Miller, 1858-1860, From the collection of: The Walters Art Museum
Ruins with an obelisk in the distance, Hubert Robert, 1775, From the collection of: The Pushkin State Museum of Fine Arts, Moscow
A Couple Embracing in an Artist's Studio, Eugène Louis Lami, 1881, From the collection of: The J. Paul Getty Museum
The Kitchen, Artist: James McNeill Whistler, 1858, From the collection of: Freer and Sackler Galleries
Coast Scene, Peter DeWint, undated, From the collection of: Yale Center for British Art
The Great Temple of Amon Karnak, The Hypostyle Hall, David Roberts, 1838, From the collection of: Yale Center for British Art
The Three Sisters, Benjamin West, 1783, From the collection of: The Nelson-Atkins Museum of Art
Saint Luke at His Easel and Four Expressive Heads, Jean Claude Richard de Saint-Non after Jean-Honoré Fragonard after Andrea Celesti, 1775, From the collection of: National Gallery of Art, Washington DC
The Youthful Saint John the Baptist Seated in a Landscape (recto); Unidentified Figure Composition (Dido and Aeneas?) (verso), Bartolomé Esteban Murillo, about 1655, From the collection of: The J. Paul Getty Museum
Tivoli with the Temple of the Sybil and the Cascades, Joseph Mallord William Turner, between 1796 and 1797, From the collection of: Yale Center for British Art
View near Walton on Naze, Lionel Constable, undated, From the collection of: Yale Center for British Art
View near Swansea, South Wales, James Ward, ca. 1800, From the collection of: Yale Center for British Art
Devil's Bridge, Saint Gotthard's Pass, Joseph Mallord William Turner, ca. 1804, From the collection of: Yale Center for British Art
In the Via Mala, Between Coire and Splugen, Unknown artist, ca. 1796, From the collection of: Yale Center for British Art
A Valley, Alexander Cozens, between 1775 and 1780, From the collection of: Yale Center for British Art
Warkworth Castle, Northumberland, Thomas Girtin, ca. 1798, From the collection of: Yale Center for British Art
Santa Lucia, A Convent near Caserta, Joseph Mallord William Turner, ca. 1795, From the collection of: Yale Center for British Art
Landscape and Cattle, Thomas Gainsborough, undated, From the collection of: Yale Center for British Art
The Claudian Aquaduct, Rome, Francis Towne, 1785, From the collection of: Yale Center for British Art
Conway Castle, Unknown artist, undated, From the collection of: Yale Center for British Art
Močilnik – the Source of the Ljubljanica, Ladislaus von Benesch, 1887, From the collection of: National Museum of Slovenia
Doorway and Window of a Church, John Sell Cotman, undated, From the collection of: Yale Center for British Art
Norwich Cathedral: Entrance to Jesus Chapel, John Sell Cotman, ca. 1807, From the collection of: Yale Center for British Art
Pistil Mawddach, North Wales, Samuel Palmer, between 1835 and 1836, From the collection of: Yale Center for British Art
Valle Crucis Abbey, Denbighshire, Thomas Girtin, ca. 1799, From the collection of: Yale Center for British Art
Classical Composition, Thomas Girtin, 1798 to 1799, From the collection of: Yale Center for British Art
Near Honfleur, Richard Parkes Bonington, ca.1823, From the collection of: Yale Center for British Art
Antwerp, Morning, David Cox, 1832, From the collection of: Yale Center for British Art
Beach Scene, Richard Parkes Bonington, ca. 1825, From the collection of: Yale Center for British Art
Landscape with Windmills, Thomas Shotter Boys, undated, From the collection of: Yale Center for British Art
Near Sterzing, Tyrol, Unknown artist, ca. 1800, From the collection of: Yale Center for British Art
Study of a Lioness, John Frederick Lewis, ca. 1824, From the collection of: Yale Center for British Art
Bay Scene in Moonlight, John Warwick Smith, 1787, From the collection of: Yale Center for British Art
The Rustic Lover, Francis Wheatley, 1786, From the collection of: Yale Center for British Art
Interior of Abbey of Aramont, François Bonvin, 1869, From the collection of: The J. Paul Getty Museum
Back View of a Standing Female, Called Mrs. Fuseli, Henry Fuseli, 1810, From the collection of: Yale Center for British Art
White Pine, Skokan, Ulster County, New York, William Hart (1823-1894), c. 1850, From the collection of: Albany Institute of History & Art
Eastern Point Light, Winslow Homer, 1880, From the collection of: Princeton University Art Museum
Siena, the Palazzo Publico (Town Hall), Thomas Matthew Rooke, 1909 - 1909, From the collection of: Birmingham Museum and Art Gallery
Simplon Pass: Reading, John Singer Sargent, about 1911 - about 1911, From the collection of: Museum of Fine Arts, Boston
Tempio di Clitumno, Rome, after Piranesi, Unknown artist, undated, From the collection of: Yale Center for British Art
Arch of Janus, after Piranesi, Thomas Girtin, between 1798 and 1799, From the collection of: Yale Center for British Art
Castle Acre Priory, Norfolk, West Front, John Sell Cotman, ca. 1804, From the collection of: Yale Center for British Art
Princess Parrot, Polytelis alexandrae, Neville HP Cayley, 1885 - 1895, From the collection of: Museums Victoria
Rio dei Mendicanti, Venice, John Singer Sargent, about 1909, From the collection of: Indianapolis Museum of Art at Newfields
Newark - upon - Trent, Joseph Mallord William Turner, ca. 1796, From the collection of: Yale Center for British Art
Ouse Bridge, York, Thomas Girtin, 1800, From the collection of: Yale Center for British Art
Castle Acre Priory, Norfolk, John Sell Cotman, ca. 1804, From the collection of: Yale Center for British Art
Dover, Thomas Girtin, undated, From the collection of: Yale Center for British Art
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales, Samuel Palmer, 1835 or 1836, From the collection of: Yale Center for British Art
Swaying Dancer (Dancer in Green), Edgar Degas, 1877 - 1879, From the collection of: Museo Nacional Thyssen - Bornemisza
From under the Portico of the Temple of Edfu, Upper Egypt, David Roberts, 1846, From the collection of: Yale Center for British Art
Nun, Guillem Roca, 1894, From the collection of: Rafael Masó Foundation
Landscape with Waterfall, Joseph Mallord William Turner, ca. 1796, From the collection of: Yale Center for British Art
Saint Augustine's Gate, Canterbury, Joseph Mallord William Turner, ca. 1793, From the collection of: Yale Center for British Art
St. Augustine's Gate, Canterbury, Joseph Mallord William Turner, between 1792 and 1793, From the collection of: Yale Center for British Art
Young woman with book, Guillem Roca, ca.1895, From the collection of: Rafael Masó Foundation
Franklin's Arrival in Philadelphia, N. C. Wyeth, 1923, From the collection of: Amon Carter Museum of American Art
Blacksmith, Guillem Roca, ca.1894, From the collection of: Rafael Masó Foundation
A Bedouin Encampment; or, Bedouin Arabs, John Frederick Lewis, between 1841 and 1851, From the collection of: Yale Center for British Art
Near Chiavenna in the Grisons, John Robert Cozens, ca. 1779, From the collection of: Yale Center for British Art
Duel to the Death, Charles M. Russell, ca. 1891, From the collection of: Amon Carter Museum of American Art
Indian on Horseback, Charles M. Russell, 1907, From the collection of: Amon Carter Museum of American Art
The Posse, Charles M. Russell, 1895, From the collection of: Amon Carter Museum of American Art
Buffalo Hunt [No. 15], Charles M. Russell, 1896, From the collection of: Amon Carter Museum of American Art
Plough Horses, Peter DeWint, undated, From the collection of: Yale Center for British Art
The Cloisters of a Monastery, Thomas Rowlandson, undated, From the collection of: Yale Center for British Art
A Potter Returning from Market, Thomas Rowlandson, ca. 1790, From the collection of: Yale Center for British Art
A Nurse with Three Children, Paul Sandby, ca. 1800, From the collection of: Yale Center for British Art
A Lady in a White Dress, wearing a Blue Hat, Thomas Rowlandson, undated, From the collection of: Yale Center for British Art
Conway Castle, Samuel Palmer, 1836, From the collection of: Yale Center for British Art
The Use of Tears, Richard Parkes Bonington, 1827, From the collection of: Yale Center for British Art
Female Dancer with a Tambourine, Thomas Rowlandson, between 1790 and 1795, From the collection of: Yale Center for British Art
A Military Escapade, Thomas Rowlandson, between 1794 and 1800, From the collection of: Yale Center for British Art
The Amorous Turk, Thomas Rowlandson, undated, From the collection of: Yale Center for British Art
The Exhibition Stare-Case, Somerset House, Thomas Rowlandson, ca. 1800, From the collection of: Yale Center for British Art
Letizia Ramolino Bonaparte: mother of Napoleon I of France, Carlotta Bonaparte, 1835/1835, From the collection of: Museo Napoleonico
Christ Church Gate, Canterbury, Joseph Mallord William Turner, 1793 to 1794, From the collection of: Yale Center for British Art
Note in Pink and Purple: The Studio, Artist: James McNeill Whistler, 1883-1884, From the collection of: Freer and Sackler Galleries
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