An iron cauldron and the moon at night

This engraving is from Tsuki hyakushi (One Hundred Views of the Moon), a collection of 100 nishiki-e (multi-color) woodcuts in ōban format (approx. 25 x 38 cm) by Tsukioka Yoshitoshi (1839–1892). The engravings were published in batches by Akiyama Buemon between 1885 and 1892. They depict the moon accompanying illustrations of Japanese and Chinese anecdotes, historical events and mythology, and scenes from kabuki and nō theater, and even contemporary Tokyo. All woodcuts from the series have in common the presence of the moon in each of the engravings. The author masterfully created the mood using the moon and its poetic and expressive possibilities. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from Bakumatsu (the last years of the shogunate) to the Meiji period. He created a wide range of works, including bijing-ga (paintings of beautiful women), fuzoku-ga (moral paintings), and paintings of historical and literary figures. Completed in the year of his death, this series is highly regarded as the masterpiece of the last years of his life. This was the most successful and to this day the most famous of Yoshitoshi's printed series. Customers were reportedly lining up before dawn to buy each new woodcut in the series. Two rogues, Kofuna no Gengo and Kōshi Hanzō, attempt to break and steal a large iron cauldron during the full moon. The composition resembles "Manga" by Katsushika Hokusai (1760–1849). This is actually a reference to toba-e, caricatured depictions of animals and people from the Kozan temple near Kyoto, attributed to a noble Buddhist priest of the Tendai sect - Kakuyu (1053–1140) from the Heian era (794–1185). Against the background of the cauldron cover, at the left edge, the author's signature: Yoshitoshi giga. Below, a vermilion, square stamp: Yoshitoshi no in.