Andrigo & Aliprandi, Versus

In the area of ​​semantic intersection between conflict - game, the performance activates a system in which the body of the performer and the creation of a rhythm must respect certain rules.

So too the spectator: in the frontality of the action, the rules mark the common territory but also a possible area of ​​conflict. In the fear and excitement of falling into the perversion of the game, the corporeality of movement and sound relate, parallel and coplanar, until the last second in a crescendo of strength.

"This is why I insist rather on the practices of freedom than on the processes of liberation.”
M. Foucault

In the framework of the Performance Festival at the 7th Thessaloniki Biennale of Contemporary Art.