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James Thornhill won the commission to decorate the Queen's Bedchamber in 1715. He was already on his way to becoming the leading English artist of his day, famed for his work at St Paul's Cathedral in London, and the Painted Hall at the Royal Naval Hospital in Greenwich.
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Thornhill went on to become the first English-born artist to be knighted in 1720.
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The scene shows cavorting gods and gods from Roman myth re-imagined through a renaissance lense.
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This ceiling, in the tradition of the expansive and exuberant interior decoration of the early 18th century, tells the ancient myth of Aurora's abduction of Cephalus.
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In the centre is Queen Anne, depicted as Divine Justice, identifiable by the sword and scale
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She is being crowned by Neptune the Roman god of the sea and oceans, and Britannia
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Surrounding her are more figures from Classical mythology, such as the Three Graces
Unique ceiling feature in the Baroque style
Painted on the ceiling of her drawing room, Queen Anne is depicted as Divine Justice, subtle right?
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At the top floats the 'top table' of Zeus, Hera, Rhea and Kronos. They are attended by cup bearers including Ganymede and probably Hebe
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Here is Iris, otherwise known as the Rainbow, with her husband Zephyros, the West Wind. Verrio’s winged goddess on the King’s Staircase, is also carrying a small pair of scissors and a handful of hair, taken from a mortal's soul
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In a roundal at the top you can see the Zodiac signs, Taurus, Pisces and Cancer
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The ceiling is believed to have been designed by William Clement, with the richly ornate decoration completed by John Hethe and Henry Blankston
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William and Mary had the Chapel remodelled and repaired from 1689-1700, with a new organ installed.
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In the Victorian period, a major restoration programme was completed in 1845-47, which addressed the Chapel roof.