The Jean Pigozzi Collection

Contemporary Art from Africa to Japan

In collaboration with

Contemporary African Art Collection - The Jean Pigozzi CollectionJaPigozzi Collection

The man behind the world's largest collection of contemporary African art...

and why he started collecting contemporary Japanese art

"I am interested in good, new, strong, innovative art"- Jean Pigozzi

Party like in Bamako and Kinshasa

The joyful nightlife is a source of inspiration for photographers and painters alike

Applaud Chéri Chérin's comedy

« unclassifiable remarkable Expressionist creator unequalled and unique in this field »

Ever painted your car ?

Esther Mahlangu take's Ndebele traditions from buildings to art galleries

Frédéric Bruly Bouabré, ‘he who does not forget.’

Preserving and transmiting the knowledge of the Bété people through art

Master watercolors with Barthelemy Toguo

The multidisciplinary experimentor

Jean Pigozzi Collection of Contemporary Japanese Art

Highlights of the Japanese Collection

Erina Matsui's selfies

Enter her surreal works

Toshiyuki Konishi family portraits

In the intimacy

Explore each collection in more depth on their dedicated page

Collection

The Jean Pigozzi Collection of Contemporary Japanese Art

The JaPigozzi Collection is a unique collection focusing on the young Japanese art scene. The Collection was begun by Jean Pigozzi in 2008. It includes over 3000 artworks - in a variety of media and disciplines - by around 250 artists, thus presenting an extensive overview of an entire generation of Japanese artists born between the mid 1970s and early 1990s. The majority of these figures have completed the rigorous and traditional training offered by art academies in Japan.  Examples of some important artists included in the collection are Nobuyoshi Araki (b. 1940), Keiichi Tanaami (b. 1936), Akira Ikezoe (b. 1979), Kohei Nawa (b. 1975), Sohei Nishino (b. 1982), Mika Ninagawa (b. 1972), and Tomoko Sawada (b. 1977).  Many of the artists use detailed techniques, creating tension when it depicts imagery that is sometimes disturbing, fetishist or pseudo-naïve. However, these themes are alleviated by humour, playfulness and beauty. Many of the works have a strong and detailed sense of narrative. Story-telling becomes fractured by tools such as irregular perspective, abstract passages or multi-layered vignettes. Surrealism and Absurdism are central features in many of the works, introducing emotional or cerebral undertones. Indeed, the conceptual structure of the works leaves nothing to chance, despite the seemingly ambiguous first impressions.  Prior to his interest in Japanese art, Pigozzi founded in 1989 the Contemporary African Art Collection (CAAC), which is now the largest private collection of Contemporary African Art in the world.

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