Frédéric Bruly Bouabré - he who does not forget

The origin of all of Frédéric Bruly Bouabré’s (born in 923, Zéprégüé, Ivory Coast, died in 2014 in Abidjan, Ivory Coast) work stems from a revelatory experience: on March 11, 1948, “the heavens opened up before my eyes and seven colorful suns described a circle of beauty around their Mother-Sun, I became Cheik Nadro: ‘He who does not forget.’”

From then on he tackled every field of knowledge and collected his research in manuscripts about arts and traditions, poetry, tales, religion, esthetics, and philosophy, revealing himself to be an astonishing thinker, poet, encyclopedist, creator.

This endeavor earned Bouabré the legendary reputation of being another Champollion, in reference to the great scholar and linguist Jean-Paul Champollion (1790-1832), who discovered the key to understanding Egyptian hieroglyphs.

Bouabré’s alphabet, which can transcribe all human sounds, reflects the essence of his thought: to achieve universality and to unite mankind.

In the 1970s, he started to transfer his thoughts to hundreds of small drawings in postcard format, using a ballpoint pen and colour crayons. These drawings, gathered under the title of Connaissance du Monde (Knowledge of the World), form an encyclopedia of universal knowledge and experience.

For Bouabré, his drawings are representation of everything that is revealed or concealed—signs, divine thoughts, dreams, myths, the sciences, traditions—and he views his role as an artist as a redemptive calling.

He has stated: “Now that we are recognized as artists, our duty is to organize into a society, and in such a way to create a framework for discussion and exchange among those who acquire and those who create. From that could arise a felicitous world civilisation.”