Masks (1911) by Emil NoldeThe Nelson-Atkins Museum of Art
For centuries, masks have held many meanings, sometimes embodying spiritual, mythic, and ancestral powers. From masks made for initiation ceremonies to carnival celebrations, take a closer look at where and when they would be worn around the world.
Sowo Initiation Helmet Mask of the Sande SocietyThe Michael C. Carlos Museum at Emory University
For public masquerades
Though African women rarely wear masks during dances, the mask shown below is unique in that it is worn by members of the Sande Society during public masquerades. The masks of the Sande are known as ‘sowei’, which is the name used to refer to ‘wise women’ of the group.
Masquerades (1990/1995) by Carol Beckwith & Angela FisherAfrican Ceremonies
For championing women and mothers
Women also feature prominently in the masks of the Oro Efe masquerades of the Yoruba people, located in West Africa in areas of Nigeria, Benin, and Togo. This area known as ‘Yorubaland’ hold masquerades called ‘Efe’ during the Gelede festival, celebrating the strength of women.
Kanak masks (E7646 and E7647) (Purchased in 1898)Australian Museum
For funeral etiquette
This feathery mask was likely used during funeral ceremonies for the great chiefs of the Kanak, the indigenous people living on the tiny island of New Caledonia, off the coast of Australia in the South Pacific.
Kanak masks (E7646 and E7647) (Purchased in 1898)Australian Museum
To this day, New Caledonia is a French territory, and the original purpose of the mask has been lost to the forces of westernization and modernization brought to the islands by colonial administrators and missionaries.
Helmet mask (komo) (mid–20th century)Dallas Museum of Art
For male-only ceremonies
The Sowei and Oro Efe masks can be seen to celebrate women and femininity, while the Komo mask was worn by the Senufo and Bamana peoples of West Africa at male-only societies and fraternities.
Komo Society Mask (late 19th-early 20th centuries) by UnknownBrooklyn Museum
Typically made up of blacksmiths or other high-ranking members of the community, the Komo and Poro societies control the central functions of government, education, spirituality, and the economy in their culture. Such a mask would be worn by only the most senior members.
Jipae maskBritish Museum
For honoring departed ancestors
Close by the Kanak of New Caledonia live the Asmat people of West Papua, New Guinea, who made this mask. The Asmat used this as part of the jipae, which (like the occasions on which the Kanak masks were worn) was a ceremony honoring dead ancestors by taking on their personas.
Mask costume made of woven bark fibre with plaited bark cords (1/1960)Nationaal Museum van Wereldculturen
Made from string and strips of leaves from the sago palm, the masks embody the souls of the dead, who are said to depart at the end of the ceremony.
Four-faced helmet mask (ñgontang) (1920–1940)Dallas Museum of Art
For warding off evil spirits
What if you had four faces, and all of them terrifying? Well, this mask, worn by the Betsi or Ntumu group of the Fang peoples of West Africa, aims to do just that — terrify.
When Europeans (mostly French colonizers and missionaries) first came to this region of Africa, the Fang thought their strange ways were a result of spirits coming back from the world of the dead. This mask, called a ‘ñgontang’, was seen as a way of warding off the witchcraft.
Among mask (E46408) (Purchased in 1938)Australian Museum
For initiation ceremonies
Another fearsome-looking mask from the depths of Papua New Guinea (this time from the east side of the island) is the Biblié mask. Like many of the African masks we’ve seen, this was used during male initiation ceremonies.
Made of clay and pig fat spread over wood, it was meant to resemble the transformed faces of dead ancestors, with its menacing tusks and serrated dog teeth.
Helmet mask (mukenga) (mid–20th century)Dallas Museum of Art
For more funerals and honoring ancestors
This ‘Mukenga’, or ‘elephant’, mask below comes from the south-eastern part of the Congo, which is now known as the Republic of Zaire. Worn by the Kuba peoples, who according to the Dallas Museum of Art are said to be some of the most traditional of all African societies.
The mask was meant to pay homage to high-ranking members of secret societies at their funerals. The mask's elaborate decorations corresponded with the wealth and rank of the member they were celebrating, with the cowrie shells (once used as currency) indicating their status.
Diablada dance maskBritish Museum
For carnival celebrations
This colorful mask comes from Oruro, high in the Bolivian Andes. It was typically worn during carnival in the ‘Diablada’ dance, or the ‘Dance of the Devils’. The iconography of the mask combines elements of the Spanish colonizers’ Catholicism with aspects of the native Andean gods.
Korant's mask by Unknown/NeznanPokrajinski muzej Ptuj- Ormož
For springtime fun
Across the world, the Korant’s mask is used in very different carnival celebrations, which occur in the fields and streets of Slovenia between Candelmas and Ash Wednesday. These masks were part of celebrations heralding the arrival of spring and chasing away winter.
Words by Andrew Mulvania
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