Portrait of a Lady (1530 (?)) by Hans Baldung GrienMuseo Nacional Thyssen-Bornemisza
'Hans Baldung Grien was Dürer's most gifted pupil, and an artist who soon developed a distinctive style of his own. While his output was varied and extensive, this panel is his only surviving female portrait.'
Woman Holding Coat of Arms (1503) by Hans Baldung GrienRenaissance and Reformation. German Art in the Age of Dürer and Cranach
'Baldung Grien, a journeyman in Dürer's workshop, is considered one of the most original artists of the first half of the sixteenth century. One characteristic aspect of his diverse oeuvre consisted of nudes and scenes of witches in which he showed seductive and deceptive beauty.'
A Monk Preaching (about 1505) by Hans Baldung GrienThe J. Paul Getty Museum
'Hans Baldung Grien arranged the tight composition between two columns, framed by intertwining branches above. A gifted pupil of Albrecht Dürer, Baldung Grien had an idiosyncratic style of drawing.'
The Trinity and Mystic Pietà (1512) by Hans Baldung GrienThe National Gallery, London
'The small figures kneeling on the grass below are probably the family who commissioned the painting from Baldung.'
Count Löwenstein (1513) by Hans Baldung GrienRenaissance and Reformation. German Art in the Age of Dürer and Cranach
'Baldung depicted him as a respectable gentleman, whose face and powerful grip on his fur cloak are intended to express resoluteness.'
Studies of Heads (recto); Studies of a Male Figure (verso) Studies of Heads (recto); Studies of a Male Figure (verso) (about 1512–1513) by Hans Baldung GrienThe J. Paul Getty Museum
'As he practiced drawing different heads for use in later paintings and prints, Hans Baldung Grien created a pattern unified by abstract hatching.'
Portrait of a Man (1514) by Hans Baldung GrienThe National Gallery, London
'Baldung is thought to have worked in Albrecht Dürer's workshop; his portraits tend to be less psychologically penetrating than Dürer's.'
Count Palatine Philip the Warlike (1517) by Hans Baldung GrienRenaissance and Reformation. German Art in the Age of Dürer and Cranach
'The effeminate face of the count palatine is surprising given his later epithet: "the Warlike."'
Praying Woman (c. 1519) by Hans Baldung Grien (?)Renaissance and Reformation. German Art in the Age of Dürer and Cranach
'Despite the work being dated 1519, it is difficult to identify the sitter, but it has been noted that she bears similarities to the female donor in Baldung's Baptism of Christ (Städel, Frankfurt am Main).'
Adam (1525) by Hans Baldung GrienMuseum of Fine Arts, Budapest
'Particularly fond of the theme of the demonic power stemming from female sexuality was Hans Baldung, perhaps Dürer's best pupil, who was dubbed 'Grien' after his favourite shade of metallic green which here covers the snake's body.'
Venus and Amor (1524/1525) by Hans Baldung GrienKröller-Müller Museum
'His oeuvre, which includes many mythological scenes, betrays the influence of the Italian Renaissance.'
Eve (1525) by Hans Baldung GrienMuseum of Fine Arts, Budapest
'Baldung's pair of pictures (originally part of a series complemented by Judith with the severed head of Holofernes, and Venus and Cupid) focuses clearly on the story's erotic content.'