Artworks in the Gyeonggi Children’s Museum

By Gyeonggi Children's Museum

Gyeonggi Children's Museum

Gyeonggi Children’s Museum
is currently exhibiting a collection of visitor-participatory artworks designed
to enable children to cultivate their aesthetic sensibility through natural
communion with art. 

 

Mixed by Wind, Connected to Land (2011) by Kang Ik-JoongGyeonggi Children's Museum

Children are our future! Children represent the potential of our future and connect it to our past through the present time.
The Korean alphabet, Hangeul, produces one word by combining consonants and vowels into syllables to create one sound. It is a character that seeks balance and harmony through connection.
The artwork <mixed by wind, connected to land> was created by forming sentences which tell a story by referring to children’s popular songs, including both traditional children’s songs and current ones, and then by presenting sentences based on the songs in the form of ceramic tiles.
Past, present, and future are connected through children and Hangeul to show that Gyeonggi Province and the world are interconnected.

Mixed by Wind, Connected to Land(detail), Kang Ik-Joong, 2011, From the collection of: Gyeonggi Children's Museum
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Ensemble by Kim Dong-wonGyeonggi Children's Museum

The artwork and visitors generate communication as they interact with each other. Each object in the artwork moves, and sometimes the objects reveal fun images as they mingle with each other harmoniously. Children interact with each other through a pipe organ, and communicate with the artwork as they listen to sound and follow the movements with their eyes.

Ensemble(detail), Kim Dong-won, From the collection of: Gyeonggi Children's Museum
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Ensemble(detail), Kim Dong-won, From the collection of: Gyeonggi Children's Museum
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A fantasy Journey with Dolphin to the Sea, Choi Mun-seok, 2012, From the collection of: Gyeonggi Children's Museum
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A fantasy Journey with Dolphin to the Sea, Choi Mun-seok, 2012, From the collection of: Gyeonggi Children's Museum
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Flying Toward Dreams (2012) by Choi Mun-seokGyeonggi Children's Museum

Wings with life energy flying toward dreams
In the artwork <flying toward dreams>, the artist attempts to infuse new life into inorganic mechanical components. The elements are interconnected and affected by each other within the artwork, and move according to a regular order and rhythm. Through this process, they form an organic world where machine and nature resemble each other.

Flying Toward Dreams (2012) by Choi Mun-seokGyeonggi Children's Museum

In addition, the wings in the artwork move rapidly and then slowly, each by itself and then together, creating beautiful movements. The wings are not complete, and exist only in half form, but as they are reflected in the mirror, they become complete. Through this artwork, the artist delivers a message which tells us that if we have hope, we will be able to spread one whole wing toward our dream. Visitors can send out their wishes and aspirations for their dream along the wing.

Journey of a dream (2011) by Phantom Plus (Yang Ju-hye)Gyeonggi Children's Museum

The balloon-shaped sculpture makes children feel closer to this artwork and provides a fantastical spatial experience at the same time. The artwork enhances the fun of aesthetic experiences and artistic value by expressing various color sensations and by adding color points , which are the artist’s unique artistic language.

Journey of a dream, Phantom Plus (Yang Ju-hye), 2011, From the collection of: Gyeonggi Children's Museum
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HISTOGLYPH (2011) by Kim Yong-gwanGyeonggi Children's Museum

The artwork consists of three paintings and six blocks, which are attached to the walls rising from the 1st to the 3rd floor, as well as of floor materials with oblique patterns. It was created by freely combining numerous figures with each other.
In the process of fusion, the figures discover a certain rule that they have been following unconsciously. The discovered rule produces a new fusion and new images.

HISTOGLYPH (2011) by Kim Yong-gwanGyeonggi Children's Museum

HISTOGLYPH, Kim Yong-gwan, 2011, From the collection of: Gyeonggi Children's Museum
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Travels in the 16days of peanut butter (2011) by Park Mi-gyeongGyeonggi Children's Museum

The numerous shapes which appear in the painting exhibit exaggerated images and transformations with cartoonish imaginations as their starting points; such images are interconnected in a complex way and draw things that cannot be described with words. These untamed emotional actions evoke creativity in children.

Travels in the 16days of peanut butter(detail), Park Mi-gyeong, 2011, From the collection of: Gyeonggi Children's Museum
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Travels in the 16days of peanut butter(detail), Park Mi-gyeong, 2011, From the collection of: Gyeonggi Children's Museum
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Travels in the 16days of peanut butter(detail), Park Mi-gyeong, 2011, From the collection of: Gyeonggi Children's Museum
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Travels in the 16days of peanut butter(detail), Park Mi-gyeong, 2011, From the collection of: Gyeonggi Children's Museum
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Travels in the 16days of peanut butter(detail), Park Mi-gyeong, 2011, From the collection of: Gyeonggi Children's Museum
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Travels in the 16days of peanut butter(detail), Park Mi-gyeong, 2011, From the collection of: Gyeonggi Children's Museum
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Travels in the 16days of peanut butter(detail), Park Mi-gyeong, 2011, From the collection of: Gyeonggi Children's Museum
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Cubedeck (2012) by Cheon Dae-gwangGyeonggi Children's Museum

The structure is created by using all possible basic forms. It is intended to induce the direct participation of visitors.

Tomorrow (2012) by Bae Yeong-hwanGyeonggi Children's Museum

The artist, who has been listening to the voices of socially marginalized people, has been striving to communicate with others and to achieve social unity while operating a public art project that seeks actual changes in people’s lives. Through such efforts, he attempts to expand the social functionality of art. In particular, as a community project, the artwork <tomorrow> has been created to provide vitality and to consolidate the community by establishing a community space. In the Children’s Museum, the artwork serves as an emotional family space which promotes interactions with family-unit visitors, and allows family members to talk about tomorrow.

Credits: Story

Planned and organized by Gyeonggi Children's Museum
Supported by PR & Marketing Team, Gyeonggi Cultural Foundation

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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Gyeonggi 1000 Years of Art & History
Be inspired by 1000 years of art and history from Gyeonggi Province of Korea.
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