Faith and Creativity: Lantern Mosques and Sacred Narratives

Learn how their Islamic heritage inspired 20th century lantern builders.

‘Mosque with Bilal calling prayers’ (1997) by Jennifer OramOriginal Source: Jennifer Oram

Freetown's lantern tradition and religious imagery

Religious imagery played a significant role in the practice of the lantern tradition between 1895 and 1997 when large illuminated floats (lanterns) were paraded annually at night to mark the end of Ramadan.

‘Calaba Town Mosque’ (1997) by Jennifer OramOriginal Source: Jennifer Oram

The importance of worship

In 1896 a newspaper report described a lantern in the form of a mosque. A century later lanterns depicting mosques continued to be popular. This one from Calabar Town was built for the 1997 lantern parade.

Lantern depicting warriors on horseback – ‘Nfa Ali and the Kafiri’ (1990)Original Source: Young Men's Muslim Association

Religious narrative scenes

Quite early in the history of the tradition builders started to create lanterns that incorporated figures (called 'effigies') of animals and humans.  This enabled a wide variety of scenes, some based on religious themes, to be depicted. Here a Muslim warrior fights and cuts off the leg of an unbeliever.

Coloured lithograph with 11 religious scenes (1995) by Jennifer OramOriginal Source: Jennifer Oram

Religious prints

Much of the religious imagery that developed drew directly on Islamic tradition and was inspired by coloured prints that were imported from centres such as Cairo and which were often copied by local painters.

Framed painting of ‘Antar and the Kafiri’ (1997) by Jennifer OramOriginal Source: Jennifer Oram

Religious paintings

This old, discoloured painting (which belonged to Vimto Lantern Club) is based directly on a religious print and depicts a mounted warrior (fighting an unbeliever) followed by a servant who is leading a camel on which is seated a female figure (probably the warrior's wife). 

‘Antar and the Kafiri’ (1997) by Jennifer OramOriginal Source: Jennifer Oram

'Antar and the Kafiri'

This lantern scene was copied in exact detail by Vimto Lantern Club in 1997 using as a guide the old painting that one of its members owned.

Chassis and frame for a lantern (1997) by Jennifer OramOriginal Source: Jennifer Oram

- Building the lantern platform

Carpenters built a strong timber frame on an iron chassis to form the base of the lantern which had to carry the weight of a significant number of structures, figures and human puppeteers.

Partly completed skeletons of puppet figures (1997) by Jennifer OramOriginal Source: Jennifer Oram

- Building the lantern figures

The skeletons of the figures were made from the customary materials of palm pith tied with wire and strengthened in places with roughly hewn poles known as fence sticks. The skeletons were later clothed and richly decorated.

Partly completed skeleton of a puppet figure on horseback (1997) by Jennifer OramOriginal Source: Jennifer Oram

- Introducing movement

The different figures incorporated a certain degree of articulation (using, for example, old car seat springs to join different parts of each skeleton together). The figures' moving parts were attached to strings which club members operated on the night of the parade.

Antar and the Kafiri (1997)Original Source: Young Men's Muslim Association

'Antar and the Kafiri' on parade

Giant models of Vimto bottles advertised the soft drinks manufacturer which sponsored the lantern club and which supplied club members with T-shirts to wear on the night of the parade.

‘Alburaq’ (1997) by Jennifer OramOriginal Source: Jennifer Oram

'Al Buraq'

Al buraq is the creature said to have carried the Prophet Muhammad from Mecca to Jerusalem and up into the heavens and back by night. In 1997 Babylon Lantern Club's lantern depicted both al buraq and a small mosque.

‘Alburaq’ (1995) by Jennifer OramOriginal Source: Jennifer Oram

Painting of al-buraq

Al buraq is widely portrayed as having a winged horse-like body with a woman's head and face and a peacock-like tail. Paintings of al buraq (based on Islamic prints) could still be found in the 1990s in the homes of some elderly Freetown residents.

Al Buraq (1997)Original Source: Young Men's Muslim Association

'Al Buraq' on parade

This lantern incorporated a certain amount of 'action'. The figure of al buraq was mounted on a long piece of timber which club members, crouching below on the lantern's chassis, moved in different directions as the lantern reached the judging point.

‘God Tests Abraham’s Faith’ (1988) by Mr O'NeilOriginal Source: Sierra Leone Daily Mail

'God Tests Abraham's Faith'

This lantern depicted the well-known story of Abraham about to sacrifice his son Isaac. It features Isaac lying on an altar in front of Abraham who holds a knife. Above, an angel carrying a ram is drawn across the top of the lantern using a series of wires.

‘Wise King Solomon’ (1997) by Jennifer OramOriginal Source: Jennifer Oram

'Wise King Solomon'

This story is well-known among Muslims and Christians alike and tells how Solomon resolved a dispute between two women each claiming to be the mother of the same child. This 1997 lantern depicted King Solomon (seated on the right) giving judgement.

‘Jonah and the Big Fish’ (1988)Original Source: Young Men's Muslim Association

'Jonah and the Big Fish'

Both the Bible and the Koran record how Jonah was miraculously saved from drowning by a big fish. This lantern shows the fish (painted black) with its jaws wide open ready to swallow the tiny figure of Jonah which is suspended over the side of a boat.

'Alburaq' (1997) by Jennifer OramOriginal Source: Jennifer Oram

The 21st century

The 1997 lantern parade was the last ever to mark the end of Ramadan. Parades have since taken place intermittently to mark Independence Day but divorced from their original religious context it is possible that in future fewer lanterns will be built depicting Islamic themes.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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