Golden Sun and Moon (Hun) by HunThe National Museum of Mongolia
Golden Sun and Moon
The Sun and Moon have held a prominent place in the worldview of Eastern cultures since ancient times. These celestial bodies symbolize power and divine forces, influencing many aspects of life.
The first nomadic empire, Hun, was elevated by Modun as the Chanyu (Great King), who highlighted that he worshipped the sun in the morning and the moon in the evening.
Felt carpet from the Hun Empire (Hun period (III century BCE – I century CE))The National Museum of Mongolia
Felt carpet from the Hun Empire
The carpet is a unique example of ancient nomadic art.
In its original form, the carpet was covered with red silk and fringed with dark brown silk; onto the red silk, geometric designs and nine trees were embroidered, and between these trees, 18 animals were depicted fighting in pairs.
The animal figures were cut separately and sewn onto the carpet with woolen threads. These figures are assumed to be bulls, deers, fantastic tiger-like animals with manes, and bird-like beings.
Jade Ornaments (Hun, II century BCE,)The National Museum of Mongolia
Jade Ornaments
These jade ornaments were excavated from a Hun tomb at the Noyon Mountain site in 1924 by the expedition team of P. K. Kozlov.
It is assumed that the aristocracy used such jade ornaments as symbols of power and social standing. It is an ancient tradition of East Asian people to make jade ornaments in any number of shapes and sizes, as jade’s strength and durability suited the harsh living conditions.
golden crown (Turkic period, VII century CE)The National Museum of Mongolia
Golden crown
In its center the crown has a phoenix - a mythical sacred firebird which is holding a precious stone in its mouth. Along with the phoenix, the crown is decorated with a plant motif.
The crown has 14 holes, presumably inlaid with precious stones.
Silver deer (The Turkic Khaganate in the VIII century)The National Museum of Mongolia
Silver deer
This silver deer is adorned with intricate gold accents on its horns, head, ears, neck, tail, and body. The deer's ears are winged, and the front of its body features a plant flower pattern.
One horn is broken, the other present with a remarkable six separate pieces, showcasing meticulous craftsmanship.
Altai harp
Wooden instruments are generally very rarely found from burials in Eurasia due to improper storage conditions. This unique instrument's main body is birch wood, while the rest is willow. It is shaped like a boat and has a long, slim neck.
Altai harp (The Turkic period)The National Museum of Mongolia
A horsehead is depicted at the top of the instrument.
As for the warrior that owned the instrument, his name was “Chure”, and well-known as “Yay-Ogil” or the boy that makes melodies.
Kultigin's Statue (The Turkic period)The National Museum of Mongolia
Kultigin’s Statue
A memorial complex consisting of the stele of Kultigin Statue, who served as an advisor to khans of the Turkic Khaganate, and a place of sacrifice is located in the region of Khashaat sum in the Arkhangai province.
It lies about 47 km north of Kharhorin on the east bank of the Old Orhon River and the west side of Lake Tsaidam. The ceiling is 3.3 meters tall, and on three sides, there are 68 lines and 10,000 characters of Runic script.
Kultigin's Statue (The Turkic period)The National Museum of Mongolia
Anklebone game (Xianbei, III century BC)The National Museum of Mongolia
Anklebone game
In 2014, the museum excavated at the Airgiin Gozgor in the Jargalant sum of Orhon Province.
Among the finds there was a sketch of seven ankles on the surface of the sheep, decorated with a triangle rows cornered along the edge of the camel.
Bone brush (Uighur and Khitan Age)The National Museum of Mongolia
Bone brush
In 2003, museum researchers began excavating archaeological remains at the Chin ruins with Russian researchers. They unearthed hundreds of artefacts. One significant finding is that the Uighurs invented the tooth brush, which the Khitans later adopted.
Architectural clay ornaments
This ceramic fragment of an animal face represents a dragon and was used decoratively to protect a building against danger symbolically.
Similar clay ornaments have been discovered in Tuva. This sculpture was molded and fired. Architectural clay ornaments of this type were uncovered in tombs of the Tan Dynasty.
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