God in a bottle or Arma Christi?

Furnished doesn't have to mean expensive

By BAYERN TOURISMUS Marketing GmbH

Freilichtmuseum Finsterau

Geduldsflasche (1919) by unbekanntOriginal Source: Freilichtmuseum Finsterau

God in a bottle or Arma Christi?

This ornamental bottle depicts an Arma Christi: Jesus Christ on the cross surrounded by the instruments of the passion ("arma"). Gold edging is painted on the outside of the bottle.

Maria mit Kind „Maria in Zell” (1851/1900) by süddeutsche Wachszieher, Lebzelter, namentlich unbekanntOriginal Source: Freilichtmuseum Finsterau

Trend with a glass dome

During the first half of the 19th century, particularly during the Biedermeier era in Vienna, wax works surrounded by cylindrical glass domes called bell jars became popular

Schmerzhafte Muttergottes mit dem Leichnam Jesu (1851/1900) by namentlich unbekanntOriginal Source: Freilichtmuseum Finsterau

Something special for the faithful

Mounted on a wooden pedestal, these representations depict Christmas scenes, or images of Mary, Christ, or other saints. It was often pilgrims that purchased these ornaments, as they wanted to take an image of grace from their pilgrimage site back home with them.

Kastenkrippe mit Hl. Nepomuk und Streuarbeit (1851/1900) by unbekanntOriginal Source: Freilichtmuseum Finsterau

Exclusive images of saints?

But the glass domes that went over the scenes were expensive and fragile, and the wax, paper, and silk in the ornament was easily damaged by sunlight. Moreover, only monastery workshops or manufactories were able to produce these high-quality decorative items.

Similar crude versions of these bottle ornaments were made in homes in the Böhmerwald and other wooded mountains.

Eingerichte in der Werkstatt, Johann Jellbauer, 2016, Original Source: Freilichtmuseum Finsterau
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Eingericht in der Werkstatt, Johann Jellbauer, 2016, Original Source: Freilichtmuseum Finsterau
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Zusammenstellen eines Eingerichts (2016) by Johann JellbauerOriginal Source: Freilichtmuseum Finsterau

Precision work

Just like a ship in a bottle, the individual pieces that made up the religious scene had to be inserted into the bottle through the tight bottle neck, and then placed with a great deal of care.

Zuschnitt der Teile (2016) by Johann JellbauerOriginal Source: Freilichtmuseum Finsterau

Little material, big effect

Tiny pieces of wood and very little color were used to make the printed pictures. The bottle was closed with a cork.

Closing the bottle with a cork marks the intricate piece as complete.

Abschluss des Eingerichts, Johann Jellbauer, 2016, Original Source: Freilichtmuseum Finsterau
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Eingerichte in der Werkstatt, Johann Jellbauer, 2016, Original Source: Freilichtmuseum Finsterau
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Credits: Story

Content: Freilichtmuseum Finsterau 
Concept: Julia Herzig 
Text: Dr. Martin Ortmeier, Judith Kestler 
Photos: Konrad Obermeier, Dionys Asenkerschbaumer 
Implementation: Gabriela Rauscher

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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