Technologies to the Service of the Ideas and Images

This exhibition show how every object needed an specific technological handle bounded to the materials with witch were made.

Papelera con pie (1600/1700) by AnónimoAmparo Museum

Cabinet with Inlays

Cabinets, buffet stands and writing desks were indispensable items of furniture, both in the inside of the homes of the rich and powerful, and in offices and other places of power, mainly linked to the Spanish crown. Their possession implies social prestige, and the more pieces of this type of furniture  one had, the higher their social status.   

Papelera con pie (1600/1700) by AnónimoAmparo Museum

Cabinet with inlays

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Sacra conversación entre Santa Mónica y San Agustín

Santo Domingo de Guzmán (1700/1800) by AnónimoAmparo Museum

Saint Dominic

This image represents Saint Dominic (Santo Domingo de Guzman), a Spanish saint born in the twelfth century and founder of the order of preachers to which his name is given. Although it is a round, freestanding sculpture, and of a little less than natural size, the outline of the volume in the back part and the lack of polychrome in this area indicate that the execution gave preference to the front of the character, establishing that it must have been conceived as an altarpiece.   

Santo Domingo de Guzmán (1700/1800) by AnónimoAmparo Museum

Saint Dominic

Señor a la columna (1700/1800) by AnónimoAmparo Museum

Señor a la columna

Nos encontramos ante una pieza de singular calidad plástica e iconográfica al que se pone el acento en el sentimiento contrarreformista al que se abocan movimientos posteriores, resultado de la interpretación de textos afines y de gustos particulares adoptados por la clientela novohispana.

Señor a la columna (1700/1800) by AnónimoAmparo Museum

Señor a la columna

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Virgen de la Luz (1700/1800) by AnónimoAmparo Museum

Our Lady of the Light

This painting follows to the letter the dedication that the priest Juan Antonio Genovesi used for preaching from 1722 onward. In this year, in Palermo, the Jesuit asked a lay sister for the Virgin Mary to reveal herself in the way that she wanted to be represented, and the Virgin sent a vision. After a failed interpretation from the summoned painter, the Virgin made herself visible again to the woman in the same way that she had appeared originally, so that the lay sister could memorize her and she could be painted.

Virgen de la Luz (1700/1800) by AnónimoAmparo Museum

Our Lady of the Light

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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