By Seville City Council
Real Alcázar de Sevilla
Maidens CourtyardOriginal Source: Real Alcázar de Sevilla
Designated a UNESCO World Heritage Site, the Royal Alcázar of Seville (Real Alcázar de Sevilla) is the oldest royal palace in Europe that is still in use today.
It dates back to the 11th century, when the Muslim authorities decided to build a fortress in a strategic location to protect the city.
1. Casa de la Contratación
The first link between the Royal Alcázar and the Americas was forged very early on, in 1504, when the Casa de la Contratación (House of Commerce) moved to the palace. It had been established the previous year at Seville's shipyards (Reales Atarazanas). It remained in the Royal Alcázar until 1717, when it was moved to Cádiz.
Façade of the Admiral´s HallOriginal Source: Real Alcázar de Sevilla
The Casa de la Contratación was set up to promote and regulate navigation and trade with the Americas.
It managed the supplying and equipping of fleets, as well as inspecting and registering ships that were headed there. It also regulated emigration to the New World, took delivery of all the products coming back, and stored goods waiting to be shipped.
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In 1508, its remit was broadened when the post of Piloto Mayor (master navigator) was created, giving the institution a new, scientific purpose.
The Piloto Mayor was responsible for organizing expeditions, as well as producing and improving maps and navigational charts. He also trained and tested navigators who wanted to travel the route to the Americas, known as the Carrera de Indias.
Monteria CourtyardOriginal Source: Real Alcázar de Sevilla
The institution later took on an even wider role, with the establishment of a court (the Audiencia) and a prison to handle crimes committed against the trade monopoly.
The Casa de la Contratación was run by an overseer, an accountant, and a treasurer, each assisted by other officials.
The king and his family at the Ibero-American Exposition in Seville (1929) by Alfonso GrossoOriginal Source: Real Alcázar de Sevilla
The image shows one of the best-known paintings on display in these rooms. It depicts Alfonso XIII of Spain and his family at the 1929 Ibero-American Exposition, held in Seville.
The final moments of Saint Ferdinand (1887) by Virgilio MattoniOriginal Source: Real Alcázar de Sevilla
Goods such as gold, silver, pearls, hardwoods, and sugar were transported from the Americas to the Royal Alcázar, while all kinds of instruments and tools, clothing, shoes, textiles, wine, oil, wheat, and wax traveled in the opposite direction.
The Dying Moments of Saint Ferdinand (Las Postrimerías de San Fernando) is the other large painting on display there. The scene depicts the final hours of Ferdinand III of Castile, father of Alfonso X (the Wise), who died in the Royal Alcázar in 1252.
The Virgin of the Navigators (1531-1537) by Alejo FernándezOriginal Source: Real Alcázar de Sevilla
2. Painting: The Virgin of the Seafarers
Another link between the Royal Alcázar and the Americas is art; specifically, The Virgin of the Seafarers (La Virgen de los Mareantes), painted by Alejo Fernández in 1521.
The work represents the Virgin of the Seafarers (or of the Fair Winds). Sailors prayed to her before setting sail for the Americas, asking for fair winds for the crossing. They also prayed to her to give thanks for their safe return.
One of the most remarkable features of this work is that it was the first in European history to depict native Americans, who can be seen beneath the Virgin's cape.
3. Pablo de Olavide
In the late 18th century, Seville was governed by one of its most celebrated and well-known chief magistrates (Asistentes), Pablo de Olavide.
Assistant CourtyardOriginal Source: Real Alcázar de Sevilla
In 18th-century Seville, the Asistente was the monarchy's representative in the city, and governed in its name.
The site of the old Asistente lodgings is now occupied by three courtyards, known as Asistente, Levíes, and Romero Murube.
Portrait of Pablo de Olavide by Juan Moreno TejadaOriginal Source: Biblioteca Nacional de España
Pablo de Olavide was one of Seville's most distinguished Asistentes. Born and educated in Peru, he held the post between 1767 and 1775.
Over those nine years, he introduced several important initiatives in the city. These included the University of Seville's curriculum, a plan to restructure the municipal treasury, improving supplies to the city, reforming and secularizing the welfare system, and promoting theater and the arts.
4. Plant Life in the Gardens
Some of the plants in the Royal Alcázar gardens represent another link to the Americas.
Gardens of the Real Alcázar PalaceOriginal Source: Real Alcázar de Sevilla
In the 16th century, Ferdinand Columbus (son of Christopher) introduced American plants to Europe for the first time. He planted them in the garden of his Sevillian house, near the Puerta de Goles, which later became the Puerta Real or Royal Gate. We know that there were botanical species from the Americas in the Royal Alcázar (and the rest of the city) soon after that, although there is very little documentary evidence of this.
English GardenOriginal Source: Real Alcázar de Sevilla
Significant numbers of species were introduced into the palace gardens in 1910, when the architect José Gómez created the Jardín de la Alcoba (Garden of the Alcove) where the kitchen gardens had been. He also installed the Jardín Inglés (English Garden) and the Jardín del Retiro (Garden of Retreat) the following year.
Some of the numerous species planted in these gardens included jacarandas, American walnut, horse chestnut, silk-cotton, and monkey puzzle trees.
5. Paintings by Gustavo Bacarisas
The Star of the 1929 Ibero-American Exposition in Seville.
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Another notable link to the Americas are the works on canvas painted by Gustavo Bacarisas for the 1929 Ibero-American Exposition. They depict ships crossing the Atlantic, as a symbol of the union between Spain and the Americas.
Today, they are displayed in the Salón de Fiestas (Celebration Hall) in the Royal Alcázar's Gothic Palace.
Text: Manuel Hurtado
Image: Antonio del Junco
This exhibition is part of the First Voyage Around the World project.
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