Sundaribai Rajawar

A look at the life and work of Sundaribai Rajawar, a craftsperson of clay relief from Chhattisgarh.

Dastkari Haat Samiti

Dastkari Haat Samiti

Tribal Clay Relief: Sundaribai Rajawar, master craftsperson of tribal clay relief work (2017)Dastkari Haat Samiti

Introduction

Sundaribai was inspired by the skills of Sonabai Rajawar, the famous initiator of clay reliefs from Puhputra, who created wonderlands and quirky modules to offer the world a unique form of art and craft. Sundaribai knew Sonabai, but never learned from her as a student.

Tribal Clay Relief: Wall art (2017)Dastkari Haat Samiti

Sundaribai’s home is a museum in itself. It starts with the verandah and the entrance, where clay relief motifs can be seen casually attached to walls, along with an electrical switch, tools, and half-completed clay panels.

Tribal Clay Relief: People and community (2017)Dastkari Haat Samiti

Intricate trellises, with parrots sitting on them and monkeys hanging from archways, lift your eyes away from her very simple surroundings in which a television, a few plastic chairs, and a steel cupboard are the only visible luxuries.

Tribal Clay Relief: Work by master craftsperson (2017)Dastkari Haat Samiti

The walls of Sundaribai's house are a testimony to her thriving talent. Her family has kept her kitchen intact, showing off the whimsical wall mural she created. They occasionally repaint the mural to keep it vibrant and alive.

Tribal Clay Relief: Wall art (2017)Dastkari Haat Samiti

With Straw, Bamboo & Clay

Basic raw materials like straw, bamboo and clay, are put together to craft these art forms. The clay relief formations create elaborate doorways, rooms within rooms, storage shelves and partitions, which are further embellished with individual deities, animals, serpents and bird-shaped figures. 

Tribal Clay Relief: Process (2017-10-02)Dastkari Haat Samiti

Dried bamboo is used to create the framework for the relief work. It is first torn or cut into thin strips, then bent into different shapes that are attached in wooden frames or other structures that hold the clay relief.

Tribal Clay Relief: Process (2017)Dastkari Haat Samiti

Here, Sundaribai creates circles out of bamboo stripes, fitting them inside the wooden frame to make a lattice structure.

Tribal Clay Relief: Process (2017)Dastkari Haat Samiti

Once the lattice frame is ready, it is covered with clay and left to dry before it is painting upon. This structure becomes a part of the architecture of the clay relief work.

Tribal Clay Relief: Process (2017)Dastkari Haat Samiti

The structures are further embellished with individual deities, animals, birds, serpents et cetera. To make these forms, dried straw is bound together in desired shapes. Here, we see the basic straw structure of a human figurine.

Tribal Clay Relief: Process (2017-10-01)Dastkari Haat Samiti

In the video, one of Sundaribai's assistants makes a clay bird that will go on the lattice.

Tribal Clay Relief: Process (2017)Dastkari Haat Samiti

The craftsman also adds the details while shaping the figurine.

Tribal Clay Relief: Process (2017)Dastkari Haat Samiti

Once ready, the figurines are left to dry in the sun.

Tribal Clay Relief: Painting process (2017)Dastkari Haat Samiti

Next, the clay figures are painted upon. The base has a coat of white lime paste.

Tribal Clay Relief: Painting process (2017)Dastkari Haat Samiti

They are then painted in bright colours; reds, greens, blues and yellows to highlight the art.

Tribal Clay Relief: Painting process (2017)Dastkari Haat Samiti

The bright colours that the craftsperson uses creates contrasts, dynamism and vibrancy.

Tribal Clay Relief: Painting process (2017-10-08)Dastkari Haat Samiti

Details like eyes are also added using a fine paintbrush.

Tribal Clay Relief: Painting process (2017)Dastkari Haat Samiti

The paints available to Sundaribai are easily obtained from small town shops.

Tribal Clay Relief: Product (2017)Dastkari Haat Samiti

In this image, you can see the finished and the unfinished bird figures.

Tribal Clay Relief: Product (2017)Dastkari Haat Samiti

The artisans also make various clay toys for the market, using the same basic method. Each of these toys highlight their own skills.

Tribal Clay Relief: Product (2017)Dastkari Haat Samiti

They make various clay animals, like birds and tortoises.

Tribal Clay Relief: People and community (2017)Dastkari Haat Samiti

Two kids play with hand-painted clay toys, as a craftsperson looks on. These clay toys are an attraction for village children.

Tribal Clay Relief: Products (2017)Dastkari Haat Samiti

Sundaribai showcases her creations of clay toys and wall figurines.

Tribal Clay Relief: Entrance of the house (2017)Dastkari Haat Samiti

The clay relief figurines can be seen casually attached to the walls.

For her work, Sundaribai draws inspiration from the Ramayana and other Indian epics. Seen here is a mural showing an episode from the Ramayana; of Hanuman carrying the mountain with the Sanjeevani plant to save Lakshman’s life.

Tribal Clay Relief: Wall art (2017)Dastkari Haat Samiti

Inspiration is also drawn from various episodes of Lord Krishna's life. This clay relief work shows the episode of Lord Krishna and Kaliya, the snake.

Tribal Clay Relief: Process (2017)Dastkari Haat Samiti

Recognition

It was Sundaribai's own creativity and competitive spirit that motivated her to refine her skills, take up challenging projects and learn how to act like a star in her own right. Sundaribai’s works for the Janjati Sangrahalaya (Tribal Museum), in Bhopal, is a magical museum created by architect Revathi Kamath, with the collective workmanship of many tribes of the region. Her other public work is at the National Handicrafts and Handlooms Museum in New Delhi. Both are testimonies to her thriving talent.

Tribal Clay Relief: Mastercraftsman stories (2017-10-05)Dastkari Haat Samiti

Sundaribai narrates her journey and the opportunities she got to travel the world because of her craft.

Tribal Clay Relief: Awards given to Sundaribai (2017)Dastkari Haat Samiti

Sundaribai has been awarded nationally, as well as internationally, for her clay relief work. She displays her mementos proudly.

Tribal Clay Relief: Publications on Sundaribai Rajawar (2017)Dastkari Haat Samiti

Sundaribai's skilled craftsmanship has been documented by researchers.

Tribal Clay Relief: Publications on Sundaribai Rajawar (2017)Dastkari Haat Samiti

Various publications have also featured Sundaribai's work.

Tribal Clay Relief: Process (2017)Dastkari Haat Samiti

Sundaribai, with her skills and unique ideas, takes up challenging projects, and is indispensable to architects and interior designers who want to use her skills.

Tribal Clay Relief: People and community (2017)Dastkari Haat Samiti

Sundaribai Rajawar is not just a dominant member of her household, but an inspiration and a mentor to others in the village.

Tribal Clay Relief: Work of Sarguja (2017)Dastkari Haat Samiti

Read more Chhattisgarh Clay Relief here:
- Sonabai Rajawar
- Museum of Clay Relief
- Chhattisgarh Crafts Map

Credits: Story

Text: Jaya Jaitly
Photography: Suleiman Merchant
Artisans: Shanti Bai, Ram Singh
Crafts Map: Sundari Bai and DHS artists
Ground Facilitator: Charu Verma
Documentary Video: Suleiman Merchant
Curation: Gunjan Tripathi

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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