Varanasi

The ancient city of temples and textiles

Dastkari Haat Samiti

Dastkari Haat Samiti

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

River Ganga and Varanasi

When historians refer to Varanasi, the home of India’s elegant brocades
and hundreds of varieties of the finest textiles, the name of Mark Twain, the
famed American author of the 19th Century, always comes up. It was he
who said, "Banaras is older than history, older than tradition, older even than legend, and looks
twice as old as all of them put together". The River Ganga flows past one edge of Varanasi as a silent, ever-present reminder of its antiquity, spiritual anchoring and its eternal charm.

It changes colour at different times of the day, never failing to create a beautiful and overwhelming aura. The golden rays of the rising sun reflect on the surface of the river as if converting it into a sari woven in patterns of golden threads.

Sacredness and the quiet of dawn are shared every day by travellers out for early morning rides in boats on the River Ganga.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

In the early morning, priests come to the place where they perform the daily aarti, prayers, made magical with chanting and oil lamps.

Banarasi Weaving: Karigar's showroom (2018-02)Dastkari Haat Samiti

A Varanasi handloom silk sari is woven in colours of the evening light over the River Ganga. The darkened evening waters merge with the night sky, giving the dark blue colour of the Banarasi nilambari sari its special name.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Colours of the sun, whether rising or setting, is reflected in the waters of the majestic River Ganga.

Surroundings (2018-02)Dastkari Haat Samiti

Every evening, as the sun sets over the west bank of the River Ganga at Varanasi, the colour of the skies and the river merge. These colours of nature have inspired weavers ever since the weaving tradition began.

Banarasi Weaving: Karigar's showroom (2018-02) by Does not match photoDastkari Haat Samiti

The rich deep reds of a handwoven sari, seen here from the reverse side, are inspired by the colours of sunset over the River Ganga in Varanasi.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

The shimmering surface of the River Ganga replicates the golden hued threads woven into a handloom sari in Varanasi.

Banarasi Weaving: karigar's workshop (2018-02)Dastkari Haat Samiti

Golden threads light up a grey room when they are stretched on the warp of a handloom, ready to be woven into a sari.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Ducks in the foreground of the holy River Ganga and the ghats in the distance in Varanasi, are common landscapes that provide artistic inspiration in Varanasi.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Assi Ghat

Scholars trying to establish Varanasi's antiquity say that it dates back to the Rig Veda, about 1500 to 2000 BC. We know that Lord Buddha began preaching there in 500 BC. The city is mentioned in a hymn by Sri Veda Vyasa, who was born over 5500 years ago. Revered for having simplified the reading of the Vedas, which are the oldest sacred writings in Hinduism, he was also the author of the Mahabharata and the sacred Gita within it. By linking the Vedas to Vyasa’s dates, we also know that Varanasi is the home of some of the oldest weaving traditions in the world. Shown here, is an elaborate evening prayer, also known as aarti, with chanting and lamps.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

The morning and evening aartis in Varanasi are done with synchronised precision by a number of priests on the banks of the River Ganga.

Banarasi Weaving: Surroundings (2018-02-06)Dastkari Haat Samiti

The sound, the optics and the fervour of this ceremonial exercise explain the special feeling that Varanasi inculcates in anyone who experiences it.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

The ghats and buildings along the River Ganga look like an old English watercolour painting in the morning light.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Traditional handmade bamboo umbrellas, covered in plastic to ward off the rain, dot the ghats along the river.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Early morning yoga sessions add to the activity that starts on the banks of the River Ganga from pre-dawn.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Yoga is a new activity on the banks of Assi Ghat, on the River Ganga in Varanasi.

This is not at odds with the instruments seen stored here by the orange silk dhoti-clad priests who use them for the early morning aarti.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

An ash-smeared priest with long hair, feeding a fire while praying, is typical of how tourists view India and holy cities like Varanasi.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

The Fabric of Religion

The Vedas refer to gold cloth as hiranya, the weaver as the tantuvay or
tantividyas and the female weaver as siri. The gods were said to have
been decked in hiranya as they set forth in their
chariots. These probably referred to the brocades, or kinkhabs, or the
zari, gold
thread work. The Ramayana and Mahabharata refer to the fabric
woven
in Varanasi as hiranya vastra or putambar vastra, vastra meaning clothing.

Varanasi is a city of temples and weavers, with many stories and traditions. The most well-known temple is the Kashi Vishwanath, the temporal abode of Varanasi’s Lord Shiva.

The names of the places and of divine figures can be multiple, changed by the people over different periods of time.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

A small temple by the wayside in Varanasi gets refurbished periodically.

Most weavers may be Muslim, while the traders are Hindu. They live in the holy city harmoniously, dependent on each other, respecting each other’s religious spaces.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

The narrow alleyways leading up to a major temple in Varanasi will be full of shops selling implements for the prayers.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

A priest by the ghats does not mind taking on a cheeky photographer.

Each character holds his own in Varanasi in the melee of people of this holy city.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Streets and Narrow Lanes of Varanasi

The tradition of fine weaving, that had been established from early times, was continued and developed further by many succeeding kingdoms: the Nandas, the Mauryas, the Guptas and the Sungas, which were described in the writings of Patanjali in the 2nd century BC. These textiles were referred to as the Kasika textile. Kasi, Kashi, or Banaras are alternative names for the ancient city of Varanasi.

India's Caste System (1946) by Margaret Bourke-WhiteLIFE Photo Collection

The fabric of Varanasi has been worn by kings and queens around the world and is lovingly possessed by brides in nearly every household in India, even in present times.

There is a special magic in possessing a textile coming from a city of unknown antiquity, woven in traditions that are also thousands of years old.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

All sorts of common occupations are followed on the streets of Varanasi. Here, an elderly entrepreneur offers to exchange cut or torn currency notes for new ones after adding a ‘reasonable’ commission.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

As one enters the narrow streets where weavers live and work in Varanasi, many observers look out from upper windows at life below.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

In weaver’s localities in Varanasi, if you can peer in hard enough, you will see a weaver at the loom.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Irrespective of the nature of their earnings, weavers in Varanasi, particularly amongst the Muslim community, now see the value in educating their daughters.

Schools for girls have now sprung up in their localities.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

A fairly busy street in a weaver’s locality like Peeli Kothi, has multiple activities, including shops that serve the needs of weaving workshops.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

'Gentleman of leisure’ spend time in conversations outside a tea shop in a weaver’s locality. Many among them would be heads of establishments or unemployed weavers.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Weaver-dominated localities in Varanasi become narrower as you explore their innards, until the sky above and the lanes below look like strips of ribbon.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

The wider streets of Varanasi are usually teeming with chaos and commerce.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Dashashwamedh Ghat

The aarti ceremony at Dashashwamedh Ghat in Varanasi has become a famous daily event for Hindu devotees and international photographers alike. It never fails to invoke wonder.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

As the evening draws near, people gather at the Dashashwamedh Ghat to witness the grand evening aarti performed in greater splendour than the one at Assi Ghat in the mornings.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Sadhus, self-declared ascetics, who live on donations from the devout public, gather near Dashashwamedh Ghat in Varanasi for the aarti.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Offerings of flowers are arranged for sale on small handmade leaf plates.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

As the ghat steps get over crowded, visitors settle on the boats, on the River Ganga, to watch the grand aarti ceremony at Dashashwamedh Ghat.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Seen here is one of the many ceremonial priests in the impressive aarti ceremony in Varanasi, which involves chanting of prayers in Sanskrit and synchronised actions with oil lamps and sisal fans.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Priests conducting the ceremonial aarti wear silk shirts and dhotis tied in the traditional way, with an angavastram on their shoulders.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

Watching the aarti ceremony in the evening on the ghat in Varanasi, stirs the emotions of many viewers.

Sellers of tiny oil lamps or candles hope the devotion of others converts into earnings for them.

Banarasi Weaving: Surroundings (2018-02)Dastkari Haat Samiti

A most delicious end to a day in Varanasi could involve having a whipped cream sweet dish sold at the ghats in handmade earthen pots.

Banarasi Sari weaving (2018)Dastkari Haat Samiti

See more of how the Banarasi Sari is created.

Banarasi Weaving: Karigar's showroom (2018-02)Dastkari Haat Samiti

Read more about Banarasi textiles here:
- The Marketplace
- The Weaving Process

Banarasi Sarees and Textiles
Credits: Story

Text: Jaya Jaitly and Charu Verma
Photography: Sunil Kumar and Charu Verma
Artisans: Maqbool Hasan, Haseen Mohd., Sribhas Chandra Supakar, and Ram Lal Morya
Ground Facilitator: Charu Verma
Video Documentation: Sunil Kumar and Charu Verma
Curation: Ruchira Verma

Cinematic Video:
- Director: Jyoti Neggi
- Production: Studio Gola

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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