As the first and last Orientalist painter of the Ottoman Empire, Osman Hamdi Bey had the unique opportunity to observe the East from within. Rather than depicting the “other” as a number of foreign painters did, he portrayed his own culture and propounded his own cultural perceptions.
Osman Hamdi, who often used his own photographs as models in his figurative compositions, once again repeats the same technique in this painting and depicts himself in the appearance of a dervish.
He holds a ney in one of the hands he has clasped behind; a nakkare, or a small kettledrum hangs down from his back.
The architectural décor suggests that the scene takes place in one of the upper-story chambers of Bursa’s Yeşil Camii (Green Mosque).
Osman Hamdi Bey
The Ocean and Thetis Mosaic depicts the sea god Oceanus and his wife, the sea nymph Thetis
They are reclining on a rock surrounded by fish and other marine creatures.
The mosaic is notable for its use of a variety of colors and materials, including glass, stone, and marble.
You are all set!
Your first Culture Weekly will arrive this week.