The Magic of Brazilian Waters and the Nymphs Who Inhabit Them

Learn about the Nymphaeaceae, the family of water lilies

Hylas and the Nymphs (1896) by John William WaterhouseOriginal Source: Wikimedia Commons

The origin of nymphs

In Greek mythology, Gaia and her daughter Tethys were so fertile that they produced a new race of female deities known as nymphs. These small goddesses always appeared young and beautiful, occupying and protecting different realms on land or in water.

Procession and dance of the nymphs (circa 1898) by Wilhelm VolzLos Angeles County Museum of Art

Gaia was the mother of all oreads (mountain nymphs), napaeae (valleys and ravines), dryads (trees), and limoniads (flowering meadows). Tethys was the mother and grandmother of all aquatic nymphs, including naiads (freshwater nymphs), nereids, and oceanids (both marine).

Carl von Linné 1707–1778 (1775) by Alexxander RoslinOriginal Source: Wikimedia Commons

The plants of the genus Nymphaea

Although the nymphs occupied all habitats in classical mythology, it is obvious that Linnaeus was thinking only of naiads when he named the genus Nymphaea, as they are exclusively aquatic plants that prefer slow-moving rivers or still ponds.

Nymphaea waterlily hybrid by RBG KewRoyal Botanic Gardens, Kew

Diversity

There are at least 40 species of Nymphaea worldwide, almost half of them in tropical America. Various exotic species and cultivars have been introduced as ornamentals, and some African species are now widely naturalized in the Americas.

Nymphaea, Rio de Janeiro Botanical Garden (April 26, 2014) by VaqueroFrancisOriginal Source: flickr

Flora Brasiliensis

27 species of Nymphaea are recognized in Brazil, with records in all Brazilian states and all types of vegetation, including the Caatinga. These species are popularly known as water lilies.

Vol. I, Part I, Fasc. See Urban Plate 1 (1906)CRIA - Centro de Referência em Informação Ambiental

Amazon

In volume 1 of Flora Brasiliensis, these plants appear in the lower right corner of lithograph no. 1 (igapó forest): “The trees surround the riverbanks and shade the tranquil depths where the large peltate leaves of the water lilies spread.” (Martius, 1906).

Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 35 (1906)CRIA - Centro de Referência em Informação Ambiental

Atlantic Forest

And also in lithograph no. 35 (Atlantic forest): “Initially, to the left of the observer, there appears in the water the image of a certain Nymphaea albiflora [...].” (Martius, 1906).

Vol. IV, Part II, Fasc. 77 Plate 33, 1878-06-01, From the collection of: CRIA - Centro de Referência em Informação Ambiental
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Flora Brasiliensis: Vol. IV, Part II, Fasc. 77 Column 127 - 128, 1878-06-01, From the collection of: CRIA - Centro de Referência em Informação Ambiental
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The taxonomic treatment of Nymphaeaceae in Flora Brasiliensis was elaborated by the German botanist Robert Caspary, famous in the area of plant anatomy for the “Casparian strips” (differentiations in some plant root cells).

Vol. IV, Part II, Fasc. 77 Plate 28 (1878-06-01)CRIA - Centro de Referência em Informação Ambiental

Caspary recognized 10 species in total, as well as some forms and varieties. All the species were beautifully illustrated, as we can see here.

Victoria amazonica (1851) by Walter Hood FitchOriginal Source: Wikimedia Commons

In addition to the genus Nymphaea, the Nymphaeaceae family is represented in Brazil by two giant species of the genus Victoria. This genus was described by the English botanist John Lindley in 1837.

Nike or Victory (March 26, 2017) by Steven ZuckerOriginal Source: flickr

Nike

Knowing John Lindley’s taste for the names of goddesses, one might presume that he named these enormous aquatic plants in honor of the Roman goddess Victoria (in Greek, Nike; a daughter of the river nymph Styx).

Victoria Queen Of England YoungLIFE Photo Collection

Queen Victoria

However, the loyal English botanist chose to honor his Queen Victoria, who in that year of 1837 was just beginning her reign. In Brazil, the species of this genus are known to this day as “vitória-régia”.

Victoria amazonica, Hungary (1905)Original Source: Wikimedia Commons

Victoria regia or Victoria amazonica?

In fact, the scientific name of one of the species of the genus was once Victoria regia, but in 1850 the British botanist John Edward Sowerby realized that there was an older name for it in another genus (Euryale amazonica), and thus corrected the name to Victoria amazonica.

Victoria amazonica, Rotterdam (September 06, 2015) by Steven LekOriginal Source: Wikimedia Commons

The enormous floating leaves of the Victoria amazonica can reach 2.5 meters in diameter and support up to 40 kilograms if well distributed on their surface. Far from Greek mythology, this species has its own indigenous Tupi-Guarani legend.

Legend of the Victoria regia by Author unknownOriginal Source: Escola educação

The legend of vitória-régia

The legend is about a moon goddess, Jaci, who turned the most beautiful girls into stars. A young girl named Naiá saw the reflection of the moon in the river and drowned trying to reach it. Jaci rewarded her sacrifice by making her a star in the water. And so the vitória-régia came to be.

Nymphaea nalinii, fossil leafOriginal Source: Digital Atlas of Ancient Life

Fossil seeds, flowers, and leaves of extinct members of the water lily family have been found in North America, Europe, and China. The oldest traces are probably more than 90 million years old, almost justifying their status as daughters and granddaughters of old Mother Earth.

Credits: Story

Research and writing: Fernando B. Matos (CRIA)
Assembly: Fernando B. Matos (CRIA)
Review: Renato De Giovanni (CRIA)
References: Flora Brasiliensis (http://florabrasiliensis.cria.org.br/opus); Travels in Brazil (https://www2.senado.leg.br/bdsf/handle/id/573991); Bernhardt (2008). Gods and goddesses in the garden: Greco-Roman mythology and the scientific names of plants. Rutgers University Press, 264 pages. 
Additional information: http://florabrasiliensis.cria.org.br/stories
Acknowledgments: All the authors of the images and characters in the story.

*Every effort has been made to credit the images, audio, and video and correctly recount the episodes narrated in the exhibitions. If you find errors and/or omissions, please email contato@cria.org.br

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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