The History of the Foundation

From Giovanni Querini’s will to today’s culture: a living legacy open to the city

Portrait of Giovanni Querini Stampalia (XIX century) by Venetian glasswareFondazione Querini Stampalia

The history of the Querini Stampalia Foundation is linked to the events of the family of the same name and, in particular, its last descendant: Count Giovanni. 

Storia della Fondazione by CommissioniFondazione Querini Stampalia

Giovanni Querini in 1868 bequeathed his entire family estate to the city of Venice: movable and immovable property, art collections and book collections, so that they would become of public use. 

Detail of books in storage by Querini Stampalia FoundationFondazione Querini Stampalia

The Foundation is “apt to promote the praise of good studies, and useful disciplines” (Statutes 1999, p. 24).

Library rooms by Querini Stampalia FoundationFondazione Querini Stampalia

In his will of 11 December 1868, the Count not only opened up the palace to society, but also added a Reading Cabinet on the first floor and the Library.

Detail of the Library by Querini Stampalia FoundationFondazione Querini Stampalia

"[...] after my death, my Library, Gallery, Medal Collection, Art Objects placed in my Palace in S. Zaccaria will become of public use. A Reading Room will be joined to the same on the first floor of my palace in the rooms inhabited by me."

Detail of books in storage by Querini Stampalia FoundationFondazione Querini Stampalia

‘The Reading Cabinet and the Library will remain open [...] constantly on all those days and hours when public libraries are closed, and in the evening especially for the convenience of scholars, who will be placed [...] in a nearby, beautiful, comfortable room [...]’.

Storia della Fondazione by Storia della FondazioneFondazione Querini Stampalia

 The 1868 bequest outlines the Foundation's ever-present mission: to be a place of discussion, attentive to change.

Historical photo of the library rooms by Querini Stampalia FoundationFondazione Querini Stampalia

Today the Institute is particularly active in the areas of contemporary art, transmission of the history of Venice, librarianship, training of cultural workers and educational activities. 

Carlo Scarpa's Garden (1959/1963) by Carlo ScarpaFondazione Querini Stampalia

To make the space more accessible and suitable for its new function, it underwent numerous structural interventions over time.

Carlo Scarpa Area, Room dedicated to Gino Luzzato (1959/1963) by Carlo ScarpaFondazione Querini Stampalia

Already in the 18th century, the Querini building underwent a radical renovation, but it was in the second half of the 20th century that its layout was consolidated thanks to the designs of Carlo Scarpa, Valeriano Pastor and Mario Botta.

Credits: Story

Text by Elena Barison. Photographs by Adriano Mura, Fondazione Querini Stampalia Archives.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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