Giovanni Querini, a rebel

Letters, Clashes, and Freedom: The Restless and Modern Side of the Last Querini

Letter to Giovanni Querini (1820) by Gaetano TequaFondazione Querini Stampalia

Giovanni Querini's rebellion manifested itself in the form of a "diversity" in the way he administered his family and his estate.

Letter to Giovanni Querini by Rachele SoranzoFondazione Querini Stampalia

Giovanni stood out for his scholarly interests and in the reformist approach held in the presidency of the Ateneo Veneto.

Letter to Giovanni Querini (1818) by Maria Teresa LippomanoFondazione Querini Stampalia

A surly, sarcastic, impatient, critical Giovanni emerges from the correspondence with his parents and sister.

Alphabetical index of some of the letters collected (1816/1835) by Various artistsFondazione Querini Stampalia

While in his letters to friends, his loyalty, wit, and excellent humour are manifested.

Letter to a friend (1828) by Giovanni QueriniFondazione Querini Stampalia

His father and friends press for him to get married.

Letter from Caterina Querini by Caterina QueriniFondazione Querini Stampalia

His mother blackmails him, wanting to allocate his estate to Giovanni's future offspring, or failing that, to a to-be established charity.

Letter to Giovanni Querini by Maria Teresa LippomanoFondazione Querini Stampalia

In 1820 family tensions escalated with a failed marriage.

Letter to Alvise Querini (1817) by Giovanni QueriniFondazione Querini Stampalia

Papafava Grimani proposed to Alvise and Maria Querini to seal the engagement between his daughter and Giovanni.

Letter to a friend (1828) by Giovanni QueriniFondazione Querini Stampalia

The Querini's response was negative for economic reasons, as well as the still too young age of their son.

Letter to Alvise Querini (1818) by Giovanni QueriniFondazione Querini Stampalia

Four years later, in 1824, when his father Alvise tries to broach the subject with his son in order to understand his intentions, Giovanni responds with stridency and impetuosity, asserting his own freedom and autonomy.

Credits: Story

Text by Elena Barison. Photographs by Adriano Mura, Fondazione Querini Stampalia Archives.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

Interested in History?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites