Indigenous Silks of Assam

Discover the variety of indigenous silks available in Assam, Inida

Dastkari Haat Samiti

Dastkari Haat Samiti

Sualkuchi Weaving: Silk weaving of Assam (2018-03)Dastkari Haat Samiti

India’s north east is known for its rich hand weaving traditions. Across the region, women weave in their homes, using the backstrap or loin loom. They make age-old designs that are intrinsic to tribal identity and culture. The state of Assam has a pride of place in its heritage of artistic textiles woven by both its tribal and non-tribal people. Much of this is based on local silks. 

Sualkuchi Weaving: Silk weaving of Assam (2018-03)Dastkari Haat Samiti

Sericulture in Assam comprises of the mulberry (locally known as Pat) and non-mulberry silks. The latter include Eri and Muga, which are of indigenous origin, and found only in Assam and its adjacent hill areas. Natural Eri is white or light brown, and makes a soft fabric known for its warmth. Muga with its golden lustre, is a prized silk which is unique to the state.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Spinning and weaving of silk in Assam has traditionally been a women’s occupation, done at home. Even commercial production is largely a cottage industry.

Traders of cocoon and yarn are generally village-based, procuring small quantities of silk from individual producers.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Eri Silk: the peace silk of Assam

The Eri cocoon is fed mostly on leaves of the castor plant. The silk worm is allowed to escape, leaving the cocoon open ended. Hence, the silk does not form a continuous filament. It is woven into a fabric known for its softness and warmth. Since the silk worm is not boiled to obtain a continuous filament, this silk is also known as ahimsa or non-violent silk. Besides its use in local attire, its major traditional market is the monks and Buddhist communities of the eastern Himalayas. 

Sualkuchi Weaving: Silk weaving of Assam (2018-03)Dastkari Haat Samiti

The cocoon is boiled with soda ash, then flattened and dried on the walls of village homes.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The flattened cocoon is then drawn into thread. Since the filament is not continuous, it cannot be reeled, and must be spun.

On the right, in the picture, is a basic spinning machine, its foot-operated pedal regulating the speed of the spindle.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The other, more widely used method for spinning Eri yarn is by hand, onto a wooden spindle, locally called takuri or takli.

Sualkuchi Weaving: Silk weaving of Assam (2018-03)Dastkari Haat Samiti

Muga: the golden silk of Assam 

Muga, a wild silk, has a natural rich golden colour, and is the queen of Assamese silks. Difficult to produce, it is a very expensive and sought-after silk. 

Sualkuchi Weaving: Plantation of Som trees (Machilus bombycina) on which muga silk worms are reared (2018-03)Dastkari Haat Samiti

Unlike other silks which can be leaf fed, the Muga worm is cultivated on Som (Persea bombycina) and Sualu (Litsea monopetela) trees.

A very delicate animal, it is susceptible to changes in temperature and air quality.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The Muga cocoon is heated with soda ash in water, which enables the opening of the filament.

In the picture, the cocoons in the metal container are in the form they are received in from the suppliers, while those in the basket have just been removed from hot water in order to draw out the yarn.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Opening the cocoon.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The opened cocoons are kept in water, and the filament drawn onto spindles on a basic spinning machine which is powered by electricity but manually controlled.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Muga yarn that is thus machine reeled, is made from the filament of 10-15 cocoons.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The reeled yarn is transferred into hanks, using a wooden frame that spins on a horizontal axis.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Muga silk is also hand reeled. Here the yarn is made of filament from 20-25 cocoons.

Two persons are required in this process of drawing out the filament from the opened cocoons and reeling it.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

As with the machine reeling, the hand reeled silk is made into hanks in the same manner using a wooden frame.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Muga waste, the coarse filament from the cocoon, is also used. This is simply drawn out by hand and wound into hanks.

Sualkuchi Weaving: Silks of Assam (2018-03-01)Dastkari Haat Samiti

A craftswoman opens up the waste Muga coccoons (notice the silkworm inside when the cocoon is opened).

The filaments from these coccoons are simply hand drawn and spun into yarn.

Sualkuchi Weaving: Silk weaving of Assam (2018-03)Dastkari Haat Samiti

The resulting coarse yarn is called ghicha.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Technological Advancements in silk production

In contrast to the traditional home based labour-intensive methods, there has been innovation in technology, enabling larger and more efficient production. A path breaker in this area has been Fabric Plus, a company based out of the state capital of Guwahati. 

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Mechanised processing in a factory setting enables working with much larger quantities. The machine in the photo is used for degumming.

The cocoons are treated with soap, soda and steam. Bleach is also used if required.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Water is removed using a hydroextractor, and the flattened material from the cocoons forms into sheets that are aired in order to completely dry them.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The sheets are put through a Floss Cutter, which combs and straightens the fibres.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The dressing process then separates long fibres from short, which are used for coarser fabrics.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The longer fibres are taken for further processing. Impurities are removed over a light table.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

Several stages of combing and processing ensure that the fibres are aligned in parallel.

Sualkuchi Weaving: Processing of eri silk (2018-03-01)Dastkari Haat Samiti

Watch how the sorted fibres are arranged parallelly into ribbons of silk sliver.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The silk slivers will now be transformed into usable yarns.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

These are passed through Roving and Ring Frame machines. The resulting yarn is wound on cones and then doubled and given a twist.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The final process is that of Gas Singeing, whereby protruding fibres are burnt off.

Sualkuchi Weaving: Processing of eri silk (2018-03-03)Dastkari Haat Samiti

Once the yarn is ready, it is divided and tied up into sections to form separate hanks.

Sualkuchi Weaving: Processing of eri silk (2018-03-02)Dastkari Haat Samiti

The yarn is also reeled onto cones along with being made into hanks.

Sualkuchi Weaving: Silks of Assam (2018-03)Dastkari Haat Samiti

The finished yarn is supplied to buyers in hank or cone form as required.

Sualkuchi Weaving: Silk weaving of Assam (2018-03)Dastkari Haat Samiti

Assamese spinning and weaving traditions developed around the indigenous raw materials and their specific characteristics. Today, commercial concerns have led to innovation and new technologies in processing these silk yarns. Mechanisation has opened the doors for more efficient production and potentially cheaper silks. However, while this new path makes for uniform, smoother, more ‘finished’ textiles, it is a far different product from the rustic, textured hand crafted fabrics.

Credits: Story

Text: Aloka Hiremath
Photography: Subinoy Das
Artisans: Artisans in Sualkuchi and Bijoynagar, Tultul Bora’s unit in Guwahati, Prayaag Barooah and associates at Fabric Plus factory Chhaygaon, Anuradha Pegu, Narmohan Das and associates in the community
Ground Facilitation: Nandini Dutta, Shri Bandopadhyay of Weavers Service Centre Guwahati, Aloka Hiremath
Curation: Ruchira Verma

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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