Red Era: 1986-1990

The Red Era Marks the New Bloodlines of Ballroom and the Onset of HIV/AIDS

Ballroom Icon Ayssa Mugler-Garcon walking BQ Up In Drags at the YMCA in Brooklyn (2012)Ballroom Throwbacks/Destination Tomorrow

25 New Houses in 4 Years

Ballroom in the Red Era experienced its most significant  growth, adding 25 houses in a brief four year period. The houses founded then continue to thrive today and are now iconic.

L

House of Omni Ball Tracks Legendary Voguer Cesar Valentino background right Willi Ninja (1989) by Chantal RegnaultBallroom Throwbacks/Destination Tomorrow

Madonna and Popularization of Vogue

In 1990, Madonna released her #1 track Vogue, and a music video featuring vogue performance. Although the song and video popularized voguing, the origins of its art form were never acknowledged as belonging to Ballroom and the Black and Brown LGBTQ+ community

Legendary Mother Pepper La Beija and daughter Modavia La Beija (1990) by Chantal RegnaultBallroom Throwbacks/Destination Tomorrow

Paris is Burning

In 1990, the documentary on Ballroom, Paris is Burning is also released. The creative genius of Ballroom is revealed to the mainstream--but not by the community, on its terms. The documentary's title is taken from the name of all Paris Dupree's balls: Paris is Burning

David Xtravaganza Ultima and Luna Xtravaganza (1997) by Luna Luis OrtizBallroom Throwbacks/Destination Tomorrow

Red Era: Kids Leading Kids

“After members of the Gold and White Eras passed away, it was the Red Era who carried the origin stories. This era was 'kids leading kids' because of the AIDS epidemic: creating their own legacies while protecting the legacies of their families.” – Luna Luis Ortiz

“A lot of folks in the Red Era, like me, lost their parents and siblings, and needed both protection and to look out for themselves. Back then there weren’t many agencies (particularly for Black and Brown communities) as there are now. You were really living together as true ‘houses’.”

Evie Pendavis and Luna Xtravaganza (1998) by Luna Luis OrtizBallroom Throwbacks/Destination Tomorrow

Red Era and House Mother Avis Pendavis

Luna joined the House of Pendavis, headed its Mother, Avis Pendavis. Avis was deeply involved in her children’s lives, particularly in making sure they had jobs and were attending school. Avis saw this responsibility through to Luna's graduation, where she was in attendance. 

House of La Beija Ball 1991 Iconic Mother Avis Pendavis (1991) by Chantal RegnaultBallroom Throwbacks/Destination Tomorrow

Seamstress and Nurturer

“Avis was a brilliant seamstress. When we were at her house she would make a big pot of macaroni and tuna, and we’d drink kool aid and watch old movies.  She’d say 'you see that dress right there? I made something just like that and it won the grand prize against Peppa Labeija.'" 

"Avis taught me more about life than about Ballroom: how to get an apartment, how to be a gay man, the importance of education and having a job, the reality of the health crisis. Her childrens' lifespan was important to her and her legacy." – Luna Luis Ortiz

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
Explore more

Interested in Performance?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites