Honoring Nepal: People, Places, Art

PEOPLE
The inscription on this sculpture honors the parents of the individuals who commissioned the statue: a merit-making activity for the deceased parents to be in Sukhavati Paradise—a pure land where all will attain enlightenment.
- Newark Museum

PEOPLE
Rebuilding has been going on for months. Sometimes it can seem thankless, but we all must soldier on.
- Nepal Children's Art Museum

PEOPLE
This painting of the Rato Macchendranath temple displays the importance of patrons in Nepalese artwork. The bottom third of the canvas is completely dedicated to the patrons of this image.
- Rubin Museum of Art

PEOPLE
Many people in Kathmandu live in rented rooms in shoddily-built, hastily erected buildings. These buildings collapsed entirely during the April 2015 earthquake, killing hundreds of people. Others, like the man pictured here, survived, but lost their homes. They live with their families in cramped tents, forced to rely on the goodwill of others to make it through.
- Nepal Children's Art Museum

PEOPLE
Youth of Nepal, determined to make a difference, volunteered in droves in the wake of devastation and chaos caused by the April earthquake in Nepal. They helped clear rubble, build schools, provide supplies and many more essential services. Here, volunteers at the Nepal Children's Art Museum are helping guide children in a sensitive art-making session for children affected by the earthquake.
- Nepal Children's Art Museum

PLACES: PATAN
Another of the three main cities of the Kathmandu Valley, Patan boasts some of the most impressive architecture in the country. This photo highlights the traditional Pagoda style buildings developed in Nepal.

PLACES: KATHMANDU
The Palace Squares of Kathmandu Valley are all UNESCO World Heritage Sites due to their cultural and historical significance. Filled with beautiful carved temples from the Malla Era, they sustained the most damage during the earthquake, which completely flattened dozens of important Nepali landmarks.
- Nepal Children's Art Museum

PLACES
This painting renders Mount Maniparvata topped by Audaka Palace seat of Pragjyotisha Kingdom (also called Kamarupa, affiliated with present-day Assam). It also represents Narakasura’s conquest of the three worlds—heavens, earth and underworld. Another demonstration of Narakasura’s power are the “16,000” hostage princesses seen crowding behind him in the upper left. Five of his sons sit in front of him awaiting instructions as their brothers defend Audaka from Krishna (an incarnation of Vishnu) and his wife Satyabhama, who fly in on Garuda’s back to rescue the princesses.
- Newark Museum

PLACES
In the aftermath of the April 2015 earthquake, many Nepali schools were too damaged to safely hold classes. In collaboration with the Nepali Government and UNICEF, many organizations in Nepal helped build TLCs, or Temporary Learning Centers, for schools that no longer had safe classrooms.
- Nepal Children's Art Museum

PLACES
Nagas or snakes spirits are said to have ruled the lake that once covered the Kathmandu Valley and still play a significant role in the religious life of the valley.
- Rubin Museum of Art

ART
Tributes to the city that had lost so much of its heritage popped up around town, so the citizens had new works of art to look at while our ancient ones were being restored.
- Nepal Children's Art Museum

ART: FEMALE DEITIES
Throughout Nepal’s recorded history, Hinduism has flourished, alongside Buddhism, as one of the country’s two major faiths. Both religions were introduced from India but developed uniquely in Nepal through interaction with local belief systems and ritual practices. Chamunda is a fearsome form of the Hindu goddess, associated with death and destruction, and often venerated in Nepal as one of the Matrikas (Mother Goddesses). This sculpture is one of the most iconographically complex and artistically refined images of Chamunda known.
- LACMA

ART: FEMALE DEITIES
This large and complex image of Tara, Goddess of Compassion, is the product of two different workshops. The sharp line of the figure’s nose, exaggerated swelling hips and her jewelry and garments are common features of solid-cast goddess figures made by the Newar ethnic group of Nepal during the tenth and eleventh centuries. Highly prized, Newar artworks traveled far beyond their country of origin where they were revered in new ways. The nimbus and throne base reveal styles of later centuries that may have been made in Tibet. The hollow base allows for the insertion of Tibetan consecration materials, such as sacred texts and cloth once worn by holy individuals, impossible to insert into the solid-cast statue.
- Newark Museum

ART: FEMALE DEITIES
Vasudhara is the Buddhist goddess of wealth and abundance, capable of dispensing good fortune and prosperity upon devotees. In Nepal, a six-armed form of Vasudhara was especially popular, her attributes and gestures reinforcing her associations with plenitude, wisdom, and Buddhahood. Vasudhara is the exoteric aspect of the esoteric Buddhist goddess Vajravarahi and, as such, would have been placed in an outer, public, shrine of a Newar monastery where such sculptures can still be found in worship today.
- LACMA

ART: FEMALE DEITIES
Ardhanarishvara, the “lord who is half-woman,” is a form of the Hindu god Shiva in which he is depicted, literally, as one with his divine consort Parvati. This sculpture—one of the most exquisite such representations from all of South Asia—is also among the earliest of this iconographic type known from Nepal.
- LACMA

ART
"The small but burgeoning community of graffiti artists in Nepal responded to the devastation of the April earthquake by creating messages of hope and optimism on the various walls of the city of Kathmandu. In this piece by the artist Imagine, the Buddha's eyes are closed in meditation over a soothing blue background, creating feelings of peace and calm."
- Nepal Children's Art Museum

ART: MANDALAS
An eight-petal lotus is one of the most basic forms of a mandala, a diagram of a sacred space populated by a central deity with a divine entourage. Although here the central deity is missing, what remains indicates the Great Goddess Durga originally was housed in the center, surrounded by important Hindu goddesses, each placed in an interior lotus petals seated upon a different identifying animal (elephant, peacock, bull, etc.). When not in use, the petals fold up, revealing a closed lotus-bud rising from a water-pool. Lotus-mandala—displaying a range of Hindu and Buddhist deities—survive from as early as the Pala Period. This later Nepalese work may have been used in Nepal or exported to Eastern India through continuous mutual exchanges between these regions. Even today, worship of the Goddess remains strong in both areas.
- Newark Museum

ART
The concept of a "safe space" is an important one when dealing with traumatic events such as an earthquake. Nepal Children's Art Museum encouraged children affected by the earthquake to visualize what a "safe or happy space" meant for them, which they represented as an image in a camera.
- Nepal Children's Art Museum

ART
A prabhamandala, also called a nimbus or an aureole, is an ornament placed behind statues to indicate their hallowed status. The ornate punch-work, use of repoussé, characteristic scrollwork and remnants of ritual powders, suggest that Newar craftsmen of Nepal made this for use in Nepal. Typical of early Newar art are the flickering border of curls that represent both flames and foliage, and house a fantastic zoo. At the top a mythical garuda bird grasps serpentine water-wealth deities (naga). Two elephantine makara figures roar above horned goat-lions (sharabha). Strands of jewels issue from the sharabhas’ mouths and their hind-legs prance upon two elephants. This stack of animals indicates a regal throne—a grouping found in Buddhist, Hindu and Jain religious art.
- Newark Museum

ART
This lampstand is an example of the decorative artifacts that were exported to Europe through the Asian subcontinent as land and sea trade expanded in the late 19th century. This dragon from Nepal has wings, an expressive ferocious face, a highly decorated tail and a candle stand, which it holds on its right foreleg.
- Dr. Bhau Daji Lad Mumbai City Museum

ART
An exemplary work of Newar woodcarving, this sculpture depicts Amoghapasha Lokeshvara (Unfailing Noose Lord of the World), a form of the compassionate Bodhisattva Avalokiteshvara. In Nepal, Amoghapasha is regularly venerated by lay worshippers who attempt to transform themselves into exemplars of compassion through meditation on, and visualization of, his form.
- LACMA

ART
This ornate plaque depicting the Hindu god Vishnu is dated by inscription to the late twelfth century and was likely offered by the donor as a sheath to cover and beautify a stone image under worship. Several unique features of the image—the particular arrangement of attributes, and the suggestion of an erect phallus beneath the lower garment—point to a syncretic and uniquely Nepalese conception of this Hindu god.
- LACMA

ART
An important visual document in the history of Nepalese art, this painting records in its inscription the meritorious acts of the Mahasiddha Vanaratnapa (1384-1469) and his attainment of Buddhahood upon his death. In the painting, Vanaratnapa receives initiation from the goddess Sita Tara, who pours liquid from a small jar into a bowl held by the Mahasiddha. Born and ordained in India, Vanaratnapa later traveled extensively in Tibet and Nepal, residing for many years in Patan. The Kathmandu Valley was a crucial center for the study and transmission of tantric knowledge and methodologies.
- LACMA

ART
Despite the loss of life and important cultural monuments one year ago, Nepal continues its religious and artistic traditions as they have for centuries and will be able to rebuild as they have done in the past.

NEPALESE SEASONS: RAIN AND RITUAL
May 6, 2016 – March 27, 2017

Featuring almost fifty objects from the Rubin Museum’s premiere collection of Nepalese art and select loans, Nepalese Seasons: Rain and Ritual illustrates the enduring manifestation of rituals, agrarian festivals, and the natural environment in the art of Nepal’s Kathmandu Valley.

This is the first exhibition connecting well-known deities represented in Nepalese art to rituals and festivals surrounding the rainy season, or monsoon, and highlighting the importance of the seasons to the culture and everyday life of Nepalese people. Through this lens, the exhibition will offer visitors a new understanding of the region and its art, which is already renowned for its high quality and aesthetic appeal.

Learn more