The Architecture of Carlo Scarpa

From the second half of the 20th century, the ground floor of Palazzo Querini Stampalia underwent a transformation. 

Thanks to Carlo Scarpa, between 1959 and 1963, the spaces were reimagined in an innovative and fascinating way: a new entrance, a hall for exhibitions and conferences, the restoration of the portego (the wide passage typical of Venetian palaces), and a uniquely designed garden.

Scarpa himself once said:
“I would like a critic to discover in my work a certain intention, that is, a strong will to remain within tradition—but without creating capitals or columns, because those can no longer be made.”

Indeed, his intervention respects the ancient soul of the palace, yet with a modern and unmistakable style.

The entrance to the Foundation was moved toward Campiello Querini, accessed by a minimalist bridge made of wood and iron that welcomes visitors with elegance and simplicity.

Upon entering, one finds a surprising atrium: the floor is an irregular checkerboard of multicolored marble, while the ceiling, in a warm red stucco, creates a fascinating contrast. It is a perfect balance of precious materials and modern geometry.

Through an ancient arch, a double water door is revealed: not wooden gates, but meandering grilles that allow the high tide to filter through, submerging the steps of the quay. A functional and poetic detail, in dialogue with the lagoon.

Beyond the entrance lies the room for exhibitions and conferences, dedicated to Gino Luzzato. Here, Scarpa reinterprets the classic Venetian portego—the space connecting canal and courtyard—adding Istrian stone radiators that become integral parts of the design.

There is also a decorative touch in gold leaf, subtle slits, and a rear glass wall that reveals the garden, framed by original 16th-century columns. A play of transparencies that bridges past and future.

The outdoor space is a small masterpiece blending diverse influences: Moorish and Japanese suggestions merge with typically Western elements. Scarpa divided it into two areas with an elegant concrete partition wall.

The first area is a raised zone, bordered by a low wall beside an artificial canal, while the second is the café garden—an intimate and relaxing place, perfect for a timeless break.