Invisible Brasilias: 2nd place in the Plano Piloto contest

Get to know de project of Boruch Milman, João Henrique Rocha and Ney Fontes Gonçalves

City perspective sketch. Modified from Braga (2010), p. 150.Museu de Arte de Brasília - MAB

A city in quadrants

Masterplan. Authors’ redesign.Museu de Arte de Brasília - MAB

Masterplan with residential, government and commercial axes. Authors’ redesign.Museu de Arte de Brasília - MAB

A Strong zoning 

determined the project, which clearly separated the commercial center from the government center and residential areas. The areas were laid out close to the lake, respecting a rigid grid.

Sketch of the linear development of the city. Modified from Braga (2010), p. 145.Museu de Arte de Brasília - MAB

Urban Satellites

The orthogonal organization of the city would allow a linear growth of the urban layout, along the main supply route. Each new nucleus would be called a satellite and would consist of two residential zones and a civic and administrative zone.

View from the government sector. Authors’ rendering.Museu de Arte de Brasília - MAB

Masterplan of the government and cultural center. Modified from Braga (2010), p. 147.Museu de Arte de Brasília - MAB

The government center

was located in the upper part of the site, between two residential neighborhoods, making it easier for civil servants to access their workplaces. There, amid large squares, were the palaces of the three powers, ministries and cultural facilities.

Cultural sector perspective. Modified from Braga (2010), p. 146.Museu de Arte de Brasília - MAB

The cultural sector

would include museums, galleries, theaters, libraries and the cathedral, all integrated with the government monuments by large walkable and landscaped public spaces.

360° pinned perspective of the civic square. Modified from Braga (2010), p. 146.Museu de Arte de Brasília - MAB

Visit the civic square

and see the National Congress, in front of its huge water mirror.

Tap to explore

360°

you are in the government and cultural sector.

View of the commercial sector. Authors’ rendering.Museu de Arte de Brasília - MAB

Masterplan of the commercial center. Modified from Braga (2010), p. 148.Museu de Arte de Brasília - MAB

Irregular squares

with exclusive pedestrian access were proposed within the orthogonal blocks of the commercial center. Tall buildings would be used for offices and institutions, while low-rise buildings would house stores, bars and restaurants.

Zoom of the commercial sector masterplan. Modified from Braga (2010), p. 148.Museu de Arte de Brasília - MAB

The Inspiration

for the design of the commercial sector was the irregular design of the old public squares, which, in addition to contrasting with the orthogonality of the rest of the city, allowed the increase of storefront areas.

360° pinned perspective of a commercial square. Modified from Braga (2010), p. 149.Museu de Arte de Brasília - MAB

Take a look inside

of a commercial square and notice the interesting perspectives created by its irregular contours.

Tap to explore

360°

You are in the commercial sector.

View of the residential sector. Authors’ rendering.Museu de Arte de Brasília - MAB

Masterplan of residential blocks and commercial avenue. Modified from Braga (2010), p. 143.Museu de Arte de Brasília - MAB

The residential sectors

would be connected by a large commercial avenue and green spaces for recreation and community services.

Zoom of the masterplan with identification of housing types. Modified from Braga (2010), p. 143. by Roberto Cerqueira CesarMuseu de Arte de Brasília - MAB

Three types of housing

Houses, low-rise buildings and high-rise buildings would be present in the same residential block, in order to promote integration between different social classes.

360° pinned perspective of the interior of a residential block. Modified from Braga (2010), p. 144.Museu de Arte de Brasília - MAB

Check out 

the community gardens, equipped with facilities such as schools, healthcare units and small shops.

Tap to explore

360°

You are in the residential sector.

To find out more about the contest, click here: Introduction
Get to know the other finalist projects:
- Lucio Costa
 - Boruch Milman and team
3°/4° - Rino Levi and team
3°/4° - MM Roberto and team
 - Milton Ghiraldini and team
 - Henrique Mindlin and Giancarlo Palanti
 - Vilanova Artigas and team

Datasheet: 

Sponsorship:  Fundo de Apoio à Cultura  - FAC 
Realization:  Museu de Arte de Brasília   
Authorship and Idealization: Danilo Fleury and Maíra Guimarães 
Curatorship: Danilo Fleury, Maíra Guimarães and Rogério Carvalho 
Expography:  Coarquitetos , Danilo Fleury and Maíra Guimarães 
Production: Curatorship of Cultural Projects, Leonardo Gois 
Graphic Design: Coarquitetos, Danilo Fleury and Maíra Guimarães 
Collaborators: Giovana Martins, Marcela Budó, Marcos Paulo Cruz and Lucas Patriota

Credits: Story

Bibliographic references:

BRAGA, Milton. O concurso de Brasília: sete projetos para uma capital. Museu da Casa Brasileira, 2010.
FICHER, Sylvia; BATISTA, Geraldo Nogueira; LEITÃO, Francisco; FRANÇA, Dionísio Alves de. Brasília: uma história de planejamento In RODRÍGUEZ, Eduard, e FIGUEIRA, Cibele Vieira A (Brasilia 1956 - 2006, de la fundación de una ciudad capita l al ca pital de la ciudad) Lleida: Milenio, 2006. pp. 55-97.
GUIMARÃES, Maíra Oliveira. Uma capital para um lago, um palácio e um hotel. In: VI Encontro da Associação Nacional de Pesquisa e Pós-graduação em Arquitetura e Urbanismo. 2020.
SILVA, Elcio Gomes da. Os palácios originais de Brasília Tese (Universidade de Brasília). Brasília, 2012.
TAVARES, Jeferson. Projetos para Brasília 1927-1957. IPHAN, 2014.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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