CRIA - Centro de Referência em Informação Ambiental
Ariane Luna Peixoto & Fernando B. Matos
Flora Brasiliensis: Vol. I, Part I, Fasc. 130 Column 1000 (1906-04-01)CRIA - Centro de Referência em Informação Ambiental
In the centuries prior to the 20th, the participation of women in science, particularly botany, was scarce. The monumental Flora Brasiliensis, conceived and initially edited by Martius, is a testimony of this.
Flora Brasiliensis deals with 22,767 species, of which 5,689 were new to science. To study the specimens collected in Brazil, Martius invited 65 scientists specialized in the taxonomy of plants (“collaborators”), all European men.
Volume I of Flora Brasiliensis, published in 1906, includes the biographies of the 135 collectors that provided specimens for those 65 authors. In the vast universe of monographers and collectors, there are only two female names: Maria Graham and Therese Prinzessin von Bayern.
Maria, Lady Callcott (1819) by Sir Thomas LawrenceOriginal Source: Wikimedia Commons
Daughter of the British Navy officer George Dundas, Maria (1785-1842) moved to India at the age of 23. In that new country, she met the Scottish naval officer Thomas Graham, whom she married in 1809. She embarked on many travels with him.
Journal of a Voyage to Brazil, title page (1824) by Maria GrahamOriginal Source: Blog da BBM
In 1821, Maria Graham set out on a journey to South America, accompanying her husband, the commander HMS Doris, a 36-gun frigate sent to protect Great Britain’s growing trade with the newly independent South American republics, especially Chile.
English burial ground (1824) by Maria GrahamOriginal Source: Wikimedia Commons
Maria arrived in Brazil for the first time on this journey, in September 1821. During her stay, she passed through Pernambuco, Bahia, and Rio de Janeiro before setting sail for Chile in March 1822. However, shortly after rounding Cape Horn, her husband developed a severe fever and died.
Retrato de Dona Leopoldina de Habsburgo E Seus Filhos by Domenico FailuttiMuseu do Ipiranga
After a few months in Chile, Maria Graham returned to Brazil, arriving in Rio de Janeiro in March 1823. There, she was introduced to Emperor Dom Pedro and Empress Leopoldina, who offered her the position of tutor to their daughter, Maria da Glória, the future Queen of Portugal.
Sir William Jackson Hooker (1843) by Spiridione GiambardellaOriginal Source: Wikimedia Commons
To prepare for her new role, Maria Graham traveled to England. There, she met William Jackson Hooker, a botany professor at the University of Glasgow, who would later become the director of the Royal Botanic Gardens, Kew.
Council of Ministers Session (1922) by Georgina de AlbuquerqueMuseu Histórico Nacional
Upon returning to Brazil, Maria began her work as a tutor at the palace. Despite maintaining a good relationship with Empress Leopoldina, with whom she shared an interest in natural sciences, she was dismissed from her position within a few weeks due to intrigues at the Court.
Laranjeiras outside Rio de Janeiro (1821) by Maria GrahamOriginal Source: Brasiliana Iconografica
After leaving the imperial household, Maria Graham remained in Rio de Janeiro until September 1825. She lived in a country house in Vale das Laranjeiras, where she explored the surroundings, including the 'virgin forest' behind her home. She collected specimens and sketched landscapes and plants.
Histoire des Plantes de la Guiane Françoise (1775) by Jean Baptiste Christophe Fusée Aublet and drawing by L.FossierOriginal Source: Abe Books
In her diary, she mentions borrowing a book by Aublet from the Minister of the Navy. Upon observing some prints with drawings of leaves, fruits, and dried flowers, she decided to draw fresh plants, “while obtaining specimens for Dr. Hooker of Glasgow”.
It was not always easy to prepare the specimens: “Firstly, many of the plants are of a nature that does not dry as they are so fleshy [...]. In addition, the heat and humidity of the climate, especially during flowering, very much stand in the way of success – the mold is worse than the insects [...].”
Even so, she collected many specimens, such as “22 varieties of ferns, all growing between her house in Laranjeiras and the top of Corcovado,” “numerous aquatic plants” on the Santa Cruz farm, and “a branch of Bombax entirely new to [her]” on the Macacú farm.
When collecting specimens of Lecythidaceae, she gets delighted and states: “Aublet gave a description of various species of this family, but was unfortunate not to visit South America at a time of year or under circumstances that would allow him to attribute to each one its own fruit, flower, or leaf.”
Her practice consisted of collecting, sketching, and drying the specimens. Her sketches and finished drawings, mostly colored, as well as notes in diaries, letters, and other means demonstrate the accuracy of her observations and her knowledge of plants.
Gate and slave market at Pernambuco (1821) by Maria GrahamOriginal Source: Blog da BBM
Maria Graham made an invaluable contribution to botany with her collections, drawings, comments, and observations on plants and landscapes. Beyond botany, her publications provide rich portraits of the people, historical events, and customs of Brazil.
Research and writing: Ariane Luna Peixoto (Botanical Garden of Rio de Janeiro) & Fernando B. Matos (CRIA)
Assembly: Fernando B. Matos (CRIA)
Review: Renato De Giovanni (CRIA)
References: Flora Brasiliensis (http://florabrasiliensis.cria.org.br/opus);
Journal of a Voyage to Brazil (https://permalinkbnd.bnportugal.gov.pt/records/item/68874-journal-of-a-voyage-to-brazil-and-residence-there);
Maria Graham no Brasil (http://memoria.bn.br/pdf/402630/per402630_1938_00060.pdf); Maria Graham: anotações sobre a flora do Brasil (https://doi.org/10.1590/S0102-33062008000400010)
Additional information: http://florabrasiliensis.cria.org.br/stories
Acknowledgments: All the authors of the images and characters in the story
*Every effort has been made to credit the images, audio, and video and correctly recount the episodes narrated in the exhibitions. If you find errors and/or omissions, please email contato@cria.org.br
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