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The Conversion of Saint Ignatius Loyola

Miguel Cabrera1000

Museo Nacional de Arte

Museo Nacional de Arte
Mexico City, Mexico

Series of paintings depicting the life of the saints were a recurrent part of the art of New Spain, where many artists strove to immortalize these men and women who had devoted themselves to God. One of the saints about whom painters were most often commissioned to produce works was Saint Ignatius Loyola, due to the predominance of the Jesuit Order, with which Cabrera maintained close links. This painting depicts the reclusion and convalescence of Ignatius, after he was wounded and captured while fighting against the French in the Battle of Pamplona in 1521. During this period, when he was in pain and close to death, he was vouchsafed a vision of the Virgin Mary, who appeared to comfort him holding the Christ child, lighting up his dark room, an event which transformed his life and brought him into contact with God. Though the sick man is lying back on two pillows with a worn-out look on his face, his countenance and clasped hands seem to be expressing gratitude for the divine visit. On the right, two men in loose breeches are witnessing the scene, while, on the threshold, a couple with a baby are also watching the events. This work has hung in the Casa Profesa (the seat of the Jesuit Order in México), the Church of Saint Ignatius, The National Viceregal Museum, and the San Diego Viceregal Painting Gallery. It entered the MUNAL as part of the latter's founding endowment in 1982.

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  • Title: The Conversion of Saint Ignatius Loyola
  • Creator Lifespan: ca. 1695 - 1768
  • Creator Nationality: Mexican
  • Creator Gender: Male
  • Creator Birth Place: Oaxaca
  • Date Created: 1000
  • painter: Miguel Cabrera
  • Provenance: Constituve Collection
  • Physical Dimensions: w2570 x h3010 mm (complete)
  • Original Spanish object note: Las series de pinturas que representan la vida de los santos fueron un factor recurrente en la plástica de la Nueva España. Muchos artistas inmortalizaron las biografías de estos hombres y mujeres que dedicaron su vida a Dios. Uno de los más solicitados fue san Ignacio de Loyola, por la fuerza que alcanzó la Compañía de Jesús. Miguel Cabrera mantuvo una estrecha relación con dicha orden religiosa. En esta obra se plasmó el periodo de reclusión y convalecencia de Ignacio, luego de su herida y captura en la batalla de Pamplona frente a los franceses, en 1521; momentos en los que el dolor y estar al borde de la muerte son recompensados con la aparición de la Virgen con el Niño en brazos para reconfortarlo, iluminando la penumbra de la habitación, este suceso transformó su vida y lo llevó hacia el encuentro con Dios. El doliente está recostado en dos almohadas y con el rostro desmejorado; no obstante, con su mirada y las manos entrelazadas parece agradecer la visita. Hacia el lado derecho, dos hombres con greguescos son testigos de la escena. Por detrás, en el umbral de la puerta, se asoma una pareja y un niño en brazos para testificar la escena. La pinacoteca de la Casa Profesa, el templo de San Ignacio de Loyola de la colonia Polanco, el Museo Nacional del Virreinato, y la Pinacoteca Virreinal de San Diego han custodiado este lienzo. Ingresó al MUNAL como acervo constitutivo en 1982.
  • Original title: La conversión de san Ignacio de Loyola
  • Type: Painting
  • Rights: Museo Nacional de Arte, INBA, http://www.munal.com.mx/rights.html
  • Medium: Oil on canvas
Museo Nacional de Arte

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