Supposedly made for King Edward IV in the 15th century, the Great Bed of Ware is not a great place for a peaceful night’s sleep. Although painstakingly carved for a royal occupant, the bed spent centuries being passed between the inns of Wear. Over the years, commoners who slept in the bed covered it in graffiti and damaged the fine carvings, leaving the frame looking battered and worn. 

According to legend, carpenter Jonas Fosbrooke, who made the bed for the king, was so enraged by the disrespectful treatment of his work that his ghost attacks any commoner who dares to sleep in it. Luckily for those of us not of royal blood, the bed is currently safely on display in the V&A in London.

One of the most famous diamonds in the world, the Hope Diamond originated in the Kollur Mine in Andhra Pradesh, India. According to legend, the stone is cursed and brings misfortune to anyone who owns it. The curse is said to have come about when the original diamond was stolen from the eye of a statue.

The thief met a grisly end, kickstarting a pattern of misfortune for all who possessed the diamond. Over the years, owners of the Hope Diamond have befallen fates including death by murder, execution and suicide, bankruptcy and imprisonment. Thankfully, the curse seems to have lifted when the diamond was donated to the Smithsonian in 1958. 

The Terracotta Army was discovered by local farmers in Xi’an, China, in 1974. The army is an extravagant piece of funeral art that was buried with Qin Shi Huang, the first emperor of China, in around 210 BCE. Altogether, the army contains 8,000 soldiers, 130 chariots with 520 horses, and 150 cavalry horses. 

The village that the farmers were from believed that disturbing the army would bring misfortune. Unluckily for them, their belief in a curse was well-founded as their 2,000-year-old village was soon pulled down to make way for an enormous museum. 

The Unlucky Mummy isn’t actually a mummy but the mummy board, or coffin lid, of a high status woman who lived in around 950-900 BCE. Discovered in Thebes in the 1800s, the four young Englishmen who first purchased the mummy all died in unfortunate circumstances.

Rumors of the curse soon spread and, in the early 20th century, journalist William Thomas Stead wrote an article on the jinxed artefact. Stead went on to be one of the passengers on the doomed Titanic. It’s said that he told stories of the curse in the run up to the disaster, with many believing that the mummy itself caused the ship’s watery end. Today, the Unlucky Mummy is on display in the British Museum. 

Ah, Paris, the City of Lights and Love! This is where Ernest Hemingway drafted The Sun Also Rises, a story about expats in the city of lights who get entangled in love triangles. What better place is there than Paris for a story dedicated to finding yourself through others?

Walk the cobblestone streets of Grafton and Nassau or spread your toes in the grass of St. Stephen’s Green with Leopold Bloom, the main character of James Joyce’s famous — and famously difficult — novel, Ulysses. Today, you can recreate Bloom’s day-long journey and stop at Glasnevin Cemetery, the inspiration for the novel’s sixth chapter, entitled ‘Hades’.

Do you think you could live alone in a cabin for two years, two months, and two days? Well, Henry David Thoreau could — and did! On July 4, 1845 (his own personal Independence Day, as he put it), Thoreau went to live on the idyllic shores of Walden Pond in a cabin he built himself. He would stay until September 6, 1847, eventually writing a book about his experience named after the placid pond, Walden, which continues to ripple and shimmer for all to see  — not bad for the son of a pencil maker.

Once considered the ultimate guide to Rome, Nathaniel Hawthorne’s novel The Marble Faun was the perfect mixture of fantasy, plot twists, and reality. Hawthorne carefully chose some of the most beautiful and emblematic spots of modern Rome, heavy with ancient symbolism. This novel about human suffering and the difficulties of living outside one’s home country chose an ideal setting, with 2000 years of history to help mirror his points.

Catcher in the Rye by J.D. Salinger is the ultimate story of disaffected youth and Holden Caulfield is the OG of adolescent angst. In the novel, Holden famously — and poignantly — wonders what happens to the ducks that float on the “Conservatory Water” lagoon in Central Park when winter rolls around (Holden has a “sensitive side”). One of the book’s most crucial scenes takes place near the Central Park Carousel, which still delights visitors today.

The dramatic cliff top views and crashing waves of Cornwall, along with the rolling hills and verdant fields of his beloved Dorset, all feature prominently in the novels of Thomas Hardy. The Southwest coast of England serves as the backdrop for such well-known novels such as Far from the Madding Crowd and Tess of the D’Urbervilles, becoming the fictional country of “Wessex.”

Everyone’s seen the pictures of the brave — or merely traditional — men in all-white clothes with blood-red bandanas being pursued through the streets of Pamplona by an angry bull, but Ernest Hemingway lived it. This author and book is worth another mention as The Sun Also Rises may have begun in Paris, France but its restless characters moved found their way to Spain to see the bull fights. Hemingway definitely knew how to travel — and how to take us with him.

Not exactly a book, Homer’s Odyssey is one of the longest poems ever written, so it definitely makes the cut. This classic of Western literature, chose the perfect location to call home – a classic destination of the ancient world, Greece. Though scholars have varying opinions as to the exact locations of Homer’s journey, a substantial part of his travels are accounted for and remain modern day marvels of this mythical journey.

Some of the Greek destinations include the Peloponnese in southern Greece, which include Olympia, the site of the ancient Olympic games and the Ionian Islands that to this day include popular travel destinations such as Corfu and Paxos. So without knowing it, you may have already followed in the steps of Homer, or at least part of his 20 year journey.

Lie on the lovely beach at the Lido like the aging writer Gustav von Aschenbach in Thomas Mann’s novella Death in Venice, basking in golden sunlight and pining away for the love of young Tadzio. Like Paris, a visit to Venice and St. Mark’s Square or the Doge’s Palace promises a sure brush with literary fame. Or take a walk past the Grand Hotel des Bains (today, a luxury apartment complex), where the ballet impresario Sergei Diaghilev died, upon whom Mann based the character of Aschenbach.

Though the Hogwarts School of Witchcraft and Wizardry doesn’t exist on any actual map, the original inspiration for the imaginative world of Harry Potter, Hermione, and Ron can be found simply by strolling through the streets of London. Feel like a real wizard as you wander past Big Ben and the Houses of Parliament or visit Platform Nine and Three-Quarters (9 3/4) at King’s Cross Station.

The warmth and sun of the summer months have gone, the nights are drawing in, and there's a cold edge to the wind; but the beauty of autumn is just beginning... One of the most defining characteristics of the season is the new colors that fill the landscape with the falling leaves turning to red, yellow, and orange. These autumnal scenes have been a source of inspiration for artists around the world for centuries, so sit back and take a look at 12 beautiful images of fall that will have you longing for those cooler nights.

1. The garden of Saint Paul's Hospital ('Leaf-Fall') by Vincent van Gogh, 1889

Vincent van Gogh often drew upon his surroundings for his work and even in his most turbulent times he saw the beauty in the world. This painting, for instance, was inspired by the large garden of the hospital Vincent van Gogh admitted himself to in 1889. Struck by the beauty of the falling leavings, he originally called this painting a 'leaf-fall'. In the piece, the colors are earthy and cool, and we see a lone figure surrounded by leaves blowing in the wind.

The artist's high viewpoint is interesting here, it enables him to provide a sense of scale with the tall trees in the foreground and the small figure further away. The artist learned of this compositional technique from Japanese prints and the work of his friends and fellow artists, Émile Bernard and Paul Gauguin.

2. Autumn Leaves by Yokoyama Taikan, 1931

Yokoyama Taikan was responsible for popularizing the technique 'nihonga', a style that emerged around 1900 onward where works were made in accordance with traditional Japanese artistic conventions and materials.

This painting is one of the most impressive examples of his work. In the piece, Taikan has painted most of the space in ultramarine blue and adds patches white-silver that take the form of clouds and rocks. The fresh blues are contrasted by the red autumn leaves which add warmth to the scene. The result is a delicate interpretation of the changing seasons.

3. Autumn on the Seine, Argenteuil (Automne sur la Seine Argenteuil) by Claude Monet, 1873

Claude Monet created this work shortly after he arrived in Argenteuil in 1871. It captures the Petit Bras, a branch of the Seine river. In the background you can see recognizable architectural landmarks such as the Château Michelet.

Light, shadow and reflection are an important feature in Monet’s work, and in this instance his use of muted, autumnal colors is mirrored in the water below, resulting in an interesting symmetry. The reflection makes it difficult to distinguish between the mirrored colors and their sources adding more intrigue to the piece.

4. Autumn Colors by Kaii Higashiyama, 1986

Kaii Higashiyama remains one the most highly regarded contemporary Japanese painters. What’s most striking about Higashiyama's work is his use of color and the inspiration he derives from his deep admiration and respect for nature.

In his later years, the scenery the artist painted was no longer from Japan or anywhere else in the world, but a deep expression of his inner world. It’s why we’re treated to such an array of different bold color choices in this particular work and perhaps why there's a focus on plant life and trees as opposed to recognizable buildings or landmarks.

5. Near Mstyora, Golden Autumn by Kim N. Britov, 1999

Color, mood and energy are key characteristics of Russian artist Kim N Britov’s work. This particular piece captures the landscape of Mstyora, a small village in the Vladimir region, renowned as a center of folk handicrafts. The traditional style of this land had an impact on Britov himself, and this can be seen in the brightly-colored, graphic style of his work.

In this painting, Britov uses a palette of vivid hues combined with large, deliberately harsh strokes to create a sun-drenched autumn landscape, full of energy. The artist's paintings are primarily characterized by his emotional connection to the subject. This is why the sky in his pictures is so strikingly blue and the foliage is such a bright-orange color. Even the church in the background appears golden at first glance.

6. Autumn by Helmer Osslund, 1907

This large painting was originally part of a series that captured the four seasons. Osslund was commissioned to paint the series for Emil A. Matton (a big shot in the leather industry) for his house in Gävle in 1907. While the building was demolished in 1979, the paintings were rescued and the other three are now privately owned.

Behind the birches in the foreground, you can see the still waters of a mountain lake. The reddish autumn colors are typical of Osslund’s paintings and there’s an eerie darkness to this work unlike the other artworks featured in this list.

7. Colonnades of Canberra’s Civic Centre by Ethel Carrick Fox, 1944

Ethel Carrick Fox is well known for her brilliantly-colored post-impressionist paintings of crowded streets, markets, cafes, and beach scenes. This work depicts the instantly recognizable buildings in Canberra’s city centre on a bright autumn day.

The yellow poplar trees and bicycles in the foreground further reminds the viewer of where they are, and Fox's dappled brushwork captures a cool breeze and many colors of a sunny autumn day in the nation’s capital.

8. Inside Akiba Shrine, Ukeji, No. 91 from One Hundred Famous Views of Edo by Hiroshige, 1857

Utagawa Hiroshige was a Japanese ukiyo-e artist, and considered the last great master of that tradition. In this view of Akiba Shrine in the village of Ukeji, Hiroshige adopts a Western visual effect – the reflection of trees in water, which was often seen in the works of Impressionist artists. The artist has carefully muted the colors of the trees as they appear in reflection so that the green of the pines is lightened and the red of the maples is softened to a light pink.

The red pigment used for the maples here is different from the red lead or iron oxide in other works in the series, which over time have blackened. As a result, this is the only print where the original glory of the autumn colors can still be fully appreciated.

9. Late Autumn Day in the Jægersborg Deer Park, North of Copenhagen by Theodor Philipsen, 1886

Danish artist Theodor Philipsen was known for his landscapes and animal portraits. In this painting the artist captures one the final days of autumn as demonstrated by the his muddy color palette and bare trees.

This work is slightly different in style to Philipsen’s other pieces in that this is the first where he used the brushwork technique adopted by his friend and fellow artist, Paul Gauguin. The pair became close during Gauguin’s visit to Copenhagen in the winter of 1884. In the piece, we see Philipsen use short, saturated brushstrokes in complementary and contrasting colors, giving it an Impressionist aesthetic while maintaining the artist's eye for detail.

10. Autumn landscape by Lin Fengmian, 1977

Lin Fengmian painted this piece the same year he settled in Hong Kong. Living in this new environment had unexpected changes in his art. For instance, it's thought the more liberal social climate gave him courage to reveal stronger emotions in his work, which led to his paintings becoming more expressive. As a result crude, bold brushwork and striking colors became common features in his later paintings.

His landscapes of this period often take a step back from reality, and in Autumn Landscape, for instance, the perspective is slightly skewed and feels almost chaotic. Rather than an accurate interpretation of the scene, Fengmian's focus instead is on expressive brushwork and bright, atmospheric colors to convey this rural landscape.

11. Starrucca Viaduct, Pennsylvania by Jasper Francis Cropsey, 1865

Jasper Francis Cropsey’s view of this fiery autumn scene captures the forests, mountains, and valleys of the northeast of America in a celebration of the country’s uniquely untouched, natural beauty. Images of the railroad in these types of paintings often symbolized the industrial growth of America, and were seen both as a sign of progress and of the destruction of nature.

For Cropsey, he took a more idealistic view of man’s relationship to the land. In this painting, a train and trestle blend easily into the surrounding landscape – the train’s white smoke echoing the clouds above – creating a peaceful scene of man and nature existing in harmony.

12. Red over the Mountains as if the Forests are Dyed 萬山紅遍 by Li Keran

Li Keran is one of China’s most important artists from the late 20th century. Although trained in Western oil painting, he was known for his traditional artworks with influences from Qi Baishi and Huang Binhong, two renowned masters.