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[1] Flesh tones with a bright yellow-orange base color, using the example of Croce di Berlinghiero di Melanese, face of Christ, [2] Flesh tones with a yellow-ocher to warm-pink base color, using the example of Croce di San Sepolcro, left shinbone of Christ, [3] Flesh tones with a cold-green base color, using the example of Redentore tra la Vergine e Santi, Meliore di Jacopo, Mary, left cheek, [4] Flesh tones with a brown-green base color, using the example of a cross-section of Freisinger Lukasbild

[1] 1st half of the 13th century; [2] 2nd half of the 12th century; [3] ca. 1271; [4] after 881–986

Zentralinstitut für Kunstgeschichte

Zentralinstitut für Kunstgeschichte
Munich, Germany

Details

  • Title: [1] Flesh tones with a bright yellow-orange base color, using the example of Croce di Berlinghiero di Melanese, face of Christ, [2] Flesh tones with a yellow-ocher to warm-pink base color, using the example of Croce di San Sepolcro, left shinbone of Christ, [3] Flesh tones with a cold-green base color, using the example of Redentore tra la Vergine e Santi, Meliore di Jacopo, Mary, left cheek, [4] Flesh tones with a brown-green base color, using the example of a cross-section of Freisinger Lukasbild
  • Date Created: [1] 1st half of the 13th century; [2] 2nd half of the 12th century; [3] ca. 1271; [4] after 881–986
  • Location: [1] Lucca, Museo Nazionale di Villa Guinigi; [2] Pisa, Museo Nazionale di San Matteo; [3] Florenz, Galleria degli Uffizi; [4] Freising, Diözesanmuseum
  • Medium: Medieval Tempera Painting on wood
  • Photo: (1)–(3) Roberto Bellucci, Opificio delle Pietre Dure, Florence; (4) Ursula Baumer, Bayerische Staatsgemäldessammlungen – Doerner Institute, Munich
  • Inventory number: [1] Inv. 226; [2] Inv. 1578; [3] Inv. 1890 n. 9153

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