1999 Roland-Garros Championships

Focusing on the spectator and the chair umpire, Antonio Seguí, does not ignore the tennis action on court. Though, not visible, it is implied by the heads of the figures turned to follow the rally; one moment captured in time. Though initially classified as an abstract artist, his later works were more figurative, often featuring men with hats as a tribute to his father’s personal style.

The ITHF is looking for an original example of this poster to add to our museum’s permanent collection. Please contact our Curator of Collections for further information.