The deity Simhavaktra 6 inch bundle inside Dakini muzzle.

Simhavaktra’s Symbolism
Simhavaktra, the “lion-headed one,” is a “sky-walker” (dakini), a magical being who inhabits the realm of the sky. Simhavaktra’s imagery is layered with symbolism.
1. Her hair blazes upward with the fire of wisdom.
2. Her lion’s head indicates fearlessness in confronting all obstacles to liberation.
3. Her cape of freshly flayed human skin signifies her transcendence of human limitations, both felt and imagined.
4. The tiger skin around her waist symbolizes victory over all harmful emotions.
5. The bone ornaments on her chest indicate that she has passed beyond the cycles of birth and death.

Treasure Texts
Simhavaktra guards a special kind of treasure. Called a terma, or “hidden text,” this treasure comprises teachings hidden in the eighth century by Padmasambhava, the lama who brought Buddhism to Tibet, so they might be recovered in the future. He appears at the upper left of the painting 1992.344. Dakini are crucial to such recovery, for only they can reveal the method for reading the coded script in which terma are written. The inscription on the reverse of the painting contains ritual information from just such a terma. The meditation instructions contained in terma often focus on fierce forms of Padmasambhava, such as that seen in the central image on the painting 1992.344. Called Guru Drakpochey, he can be recognized by the black scorpion in one of his left hands.

Secret Deposits
Not only does Simhavaktra guard “hidden texts” (terma), but she also guards a treasure within this very sculpture. Assumed absent for decades, recent borescopic photography has enabled our conservators to discover a hidden deposit of consecration materials behind Simhavaktra’s muzzle. This deposit contained a variety of dried seeds and herbs that had been inserted into the sculpture inside the tied bag visible in the photographs to the right. Tibetans place texts, herbs, or other objects inside sculptures to consecrate them. Many consecration deposits were rifled in antiquity for the small gems or coins they often contained. Hence scholars who study such objects seldom expect to find the caches intact.

Using a small camera on a scope, our conservators were able to follow the hollows of the sculpture into Simhavaktra’s muzzle to find the intact consecration deposit visible in this photo. Consecration deposits might contain scrolls upon which mantras, or sacred verbal formulas, have been written. The consecration deposits in many sculptures were rifled in antiquity for the small gems or coins they often contained. While no scrolls, gems, or coins have been identified in this deposit, a variety of dried seeds and herbs that play important roles in Tibetan consecration practice had been inserted into the sculpture.