In the Factory_Collab with Lorenzo Seghezzi per Big Mama in Sanremo

Total black looks called for a reinterpretation of the Edwardian ball gowns of the early 1900s. Laces and corsets shape a silhouette that enhances the artist's stunning form. A cascade of tulle and poplin ruffles and a very light chintz nylon fabric perfectly package the queer message featured in the performance.

Total black looks called for a reinterpretation of the Edwardian ball gowns of the early 1900s. Laces and corsets shape a silhouette that enhances the artist's stunning form. A cascade of tulle and poplin ruffles and a very light chintz nylon fabric perfectly package the queer message featured in the performance.