Loading

Portrait of a Young Nobleman

Nicolas de Largillièrec. 1714

The National Museum of Western Art, Tokyo

The National Museum of Western Art, Tokyo
Tokyo, Japan

This work is thought to be from Largillièrre's mature period. The Baroque tradition can be seen in the seated model's twisted position on a rock with his left foot forward and right leg drawn behind, all as his body turns in the opposite direction. The model placed in nature surrounded by flowers and animals was a trend in aristocratic portraits of the day, while the red lips and rosy cheeks of the white skinned model and the cape draped from his shoulders speak of the new age of the Rococo with its bright color sensibility. The goldfinch is shown with his wings outstretched on the left edge of the painting and it would seem that the bird has some meaning as both the boy and the dog gaze directly at the bird. The barbet, or goldfinch, was a symbol of Christ's passion, death and resurrection in Christian art, and if this young nobleman is the young Louis XV, as traditionally ascribed, this bird could clarify the painting's hidden symbolism. In 1712, Louis' parents died in quick succession, and there is the supposition that this work was created as a prayer for the prosperity of the Bourbon reign and the young Louis XV in the face of this tragic series of events. If this hypothesis is correct, it suggests that this work would have been created around 1714. Another work of the same subject, but in twice the scale, can be found in the Paul Getty Collection. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no.50)

Show lessRead more
  • Title: Portrait of a Young Nobleman
  • Creator Lifespan: 1656 - 1746
  • Creator Nationality: French
  • Creator Gender: Male
  • Creator Death Place: Paris
  • Creator Birth Place: Paris
  • Date Created: c. 1714
  • Location Created: France
  • Provenance: Soultzener collection, until 1883; Véneau collection (by inheritance); Baronne d'Épremesnil, borm Véneau; d'Épremesnil family, Paris, until 1971; Heim, Paris.
  • Physical Dimensions: w530 x h650 mm
  • Painter: Nicolas de Largillière
  • Object title (Japanese): 幼い貴族の肖像
  • Object notes (Japanese): 本作品は、ラルジリエールの円熟期の作品と考えられる。左足を前に、右足を後方にひき、上半身をこれとは逆方向によじるようにして岩の上に坐るモデルのポーズには、バロック美術の伝統が窺われ、また、モデルを自然の中におき、そのまわりに花や動物を配するという方法も、当時の貴族的な肖像画芸術の流行であるが、色白のモデルの赤い唇やバラ色に輝く頬、肩からはおった衣などに新しい時代の到来を告げるロココ的な優美な色彩感覚を窺うことができる。画面左には羽を広げたごしきひわが描かれており、これらが何らかの意味を持っていたことは、右側の犬と幼い貴族の視線がこの小鳥に向けられていることからも推測される。ごしきひわは、キリスト教芸術において、キリストの受難と死、また、その復活を象徴するものであるが、もし、ここに描かれている幼い貴族が、伝統的に言われてきたように幼年時のルイ15世(1710-74)であるならば、その点からこの作品の隠された主題を明らかにすることができよう。すなわち、1712年に、彼の両親は相次いで病死しているが、その悲劇的事実を踏まえると同時に、幼児ルイ15世とブルボン王朝の繁栄を祈念するためにこの作品が制作されたという推定が成立しうるからである。もし、この仮説が正しいものならば、本作品の制作年代は1714年頃と考えられる。なお本作品には寸法を縦横およそ2倍にした異作がある(ポール・ゲッティ美術館)。(出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 50)
  • Artist Name (Japanese): ラルジリエール、ニコラ・ド
  • Type: Paintings
  • Rights: http://www.nmwa.go.jp/en/information/privacy.html
  • External Link: The National Museum of Western Art, Tokyo
  • Medium: Oil on canvas
The National Museum of Western Art, Tokyo

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites