Under de sí reflected upon the link between physical exercise and fiction, between action and image. It explored the relationship between human bodies and merchandise, and above all, the blurred limits between these objects, materiality and the ''human'' element. It looked into the construction of our own image as a theatrical act. In a flat space, with no center, numerous performers repeated different behaviors at the same time, as rituals of daily life taken to an extreme of deformity: they will seek to resist, adapt and overadapt to an unstable system.
How much reality can fiction stand? This question was the starting point for Diego Bianchi and Luis Garay to create Under de sí, a work that escapes all artistic labels and challenges the limits of performance, sculpture, theater and happening.
Co-production BP.15, TACEC Centro de Experimentación del Teatro Argentino de La Plata, Malta Festival Poznan (Poland) and 2015 Wienner Festwochen (Austria)