Min Joung-Ki has dealt with the topography of the landscape from his view and the human traces within, through a humanistic introspection. His 1981 work Embrace depicts a scene where a man and a woman, coming across a barbed-wire fence, passionately embrace. The landscape behind the two figures appears somewhat out of joint in terms of iconic logic, but the artist intentionally imitates an immature expression. To him, painting a landscape is not just painting what appears before one’s eyes. It is embodying the special time formed in that space into painting and expressing a historical geography encompassing both past and present.
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