Kingitanga ki Te Ao (They will throw stones)

Emily Karaka’s sumptuous, colourful and powerful paintings have long reflected her physical involvement in Māori Land Rights and Treaty Claims issues. Her new series of works are directly indexed to an ongoing political struggle and land dispute at Ihumātao, where Māori protestors have contested a proposed housing development on a sacred area and significant archaeological site, calling for the land to be returned. Through her Ahiwaru tribal group, Karaka has been directly involved in the ongoing struggle, and these paintings tell parts of the story from a position within the process. The works are almost cartographic, creating visual space on each canvas that is tethered to material, cultural and political geographies and languages.

Emily Karaka’s sumptuous, colourful and powerful paintings have long reflected her physical involvement in Māori Land Rights and Treaty Claims issues. Her new series of works are directly indexed to an ongoing political struggle and land dispute at Ihumātao, where Māori protestors have contested a proposed housing development on a sacred area and significant archaeological site, calling for the land to be returned. Through her Ahiwaru tribal group, Karaka has been directly involved in the ongoing struggle, and these paintings tell parts of the story from a position within the process. The works are almost cartographic, creating visual space on each canvas that is tethered to material, cultural and political geographies and languages.