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A Bishop Saint (Burchard of Würzburg?)

Tilman Riemenschneiderc. 1515/1520

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Burchard, the English-born first bishop of Würzburg, Germany, died in 754. In this imaginary portrait, he raises his right hand in blessing. His left hand once held a curving crozier. The figure's facial type occurs repeatedly in the wood and stone sculptures of this famous German master: prominent nose and cheekbones, strong chin, long, sunken cheeks, and finely outlined, downturned mouth and eyes, suggesting a mood of slightly sorrowful contemplation. In this careworn, sensitive face, Riemenschneider explored the psychology of a man on whom spiritual authority seems to weigh heavily.


Hollowed out to make it light, the bust may once have been carried in religious processions. It has experienced some alterations since it was carved; the square, diamond-shaped cut on the chest was certainly made well after the sculpture was finished, possibly in order to fill the recess with relics.


Tiny traces of original coloring, removed long ago, may be noticed, for instance on the cope (mantle), where bits of blue and yellow remain. Although this particular bust was polychromed, Riemenschneider was a pioneer in the use of bare, unpainted wood for the sculpture on his major altarpieces. The black rings around the pupils, however, so important to the dreamy expression of the eyes, are typical of Riemenschneider's figures.

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  • Title: A Bishop Saint (Burchard of Würzburg?)
  • Creator: Tilman Riemenschneider
  • Date Created: c. 1515/1520
  • Physical Dimensions: overall: 82.3 x 47.2 x 30.2 cm (32 3/8 x 18 9/16 x 11 7/8 in.)
  • Provenance: Wilhelm Sattler and his son, Jens Sattler [d. 1901], Schloss Mainberg (near Kitzingen), before 1826; (Sattler sale, Rudolph Lepke Kunst-Auction-Haus, Berlin, 29 October-2 November 1901, no. 63);[1] Benoit Oppenheim [1842-1931], Berlin, until at least 1927;[2] Munich art market;[3] Henry Goldman [1857-1937], New York, by 1934;[4] (Duveen Brothers, Inc., London, New York, and Paris), by 1942;[5] sold 1944 to the Samuel H. Kress Foundation, New York;[6] gift by exchange 1961 to NGA. [1] Justus Bier, "The Bust of a Bishop by Tilmann Riemenschneider," _Art Quarterly_ 6 (1943): 166, n. 3. [2] Max J. Friedländer, "Review of Eduard Tönnies, _Leben und Weke des Würzburger Bildschnitzers Tilmann Riemenschneider_, Strasbourg, 1901," _RfK_ 24 (1901): 468; Benoit Oppenheim, _Originalbildwerke in Holz, Stein, Elfenbein, usw. aus der Sammlung Benoit Oppenheim, Berlin_, Leipzig, 1907: no. 10, pl. 6; Kurt Prister, _Riemenschneider_, Dresden, 1927: 34. [3] Bier 1943, 159. [4] Justus Bier, "Tilman Riemenschneider," in Thieme-Becker 28 (1934): 334; Bier 1943, 159. Undated Duveen brochure, in NGA curatorial files. [5] George Swarzenski to Edward Fowles of Duveen Brothers, letter of 9 May 1942, copy in NGA curatorial files. [6] Middeldorf 1976, 125.
  • Medium: linden wood with traces of polychromy
National Gallery of Art, Washington DC

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