Loading
A Glanced Flash
Set Byul Li2010
Korean Art Museum Association
Seoul, South Korea
A Glanced Flash is notable because the flash is not located within the painting. It radiates at an ambiguous site, whether an amusement park or a factory, Where the trio of imaginary ego, symbolic ego, and the real subject put their arms around one another and simultaneously look at a certain spot. Therefore, a shift in time occurs in this painting.
Show lessRead more
Details
- Title: A Glanced Flash
- Creator: Li, Set Byul
- Creator Lifespan: 1970
- Creator Nationality: Korean
- Creator Birth Place: Gyeonggi-do, Korea
- Date Created: 2010
- Physical Dimensions: w1230 x h1800 cm
- Type: Painting
- Medium: Oil on canvas
- Critic's Note: The artist collects certain types of articles from the Internet, newspaper and other media and rearranges them into a new scene on the canvas. The types of issues chosen are concerned with inhumane violence. As each image is presented devoid of its context, the unrelated images are composed into a complex scene that creates an uncanny feeling, which is familiar and at the same time strange. It brings together dramatic and magical situations. Li’s canvas is a space where an object’s gaze emerges as the subject’s perspective slips, as the subject’s fear is drawn to the surface by the flowing gelatinous lump. The dripping matter’s role is to hide the impulsive violence in the inner being of the artist, as well as to represent a reincarnation of fear. (By Choi Tae-man) The reality is composed of two endpoints in distinct phases. The first endpoint is nature that occurs during the night. The second endpoint is the night itself, where every object enters into a world of symbols in order to attain a particular meaning within a chain of signifiers. However, the symbols are far from perfect. The symbol has a hole, a passage of night, and it is “the objet petit,” as described in Jacques Lacan’s theories on desire. The objet petit is a signifier of absence and something unattainable. It is an enchanting flower that blooms brilliantly on the stage of fantasy. Therefore, Li’s flowers are located directly at the origin of the fantasy-obsessed gaze, in the eyes of her figures. Li’s exploration between the relationships of the surface and what lies below, the background and foreground and the subconscious and the conscious, are as meaningful as the search for an endpoint – or a disconnection – from the situation where human subjects are reduced to objects. Where there is a shift towards the fantastic worlds within.
- Artist's Education: Seoul National University. M.F.A., Painting.
Get the app
Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more
