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A Practice of Behavior 2009- Gestures in sermon hall SN.7-163

Sunkwan Kwon2005

Korean Art Museum Association

Korean Art Museum Association

The series of exhibits conflicts and responses of minute memories on adopted habits and accustomed logical behavior in circumstance implemented to social behavior. It also appeals to the temerity and stupidity of conventional actions. This series originated from interest in way of presenting its prefigurativeness and spasticity, while it used diverse, unconscious and nonlinear emotion to fulfill the logical and intentional behavior of the space and situation.

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Details

  • Title: A Practice of Behavior 2009- Gestures in sermon hall SN.7-163
  • Creator: Kwon, Sunkwan
  • Date Created: 2005
  • Physical Dimensions: w2250 x h1800 cm
  • Type: Photography
  • Medium: Digital C-print
  • Critic's Note: Sunkwan Kwon is one of the most reputable photo artists in Korea, known for his superior technics. He depicts a malerisch sense in his portrait work and depicts a birdseye view in his landscape photographs. Overall his work retains characteristics of directed photographs. The artist demonstrates his ability to make the spectator confused by recognizing fortuities in real situation and probabilities in intentional direction. In consequence, while they face Sunkwan Kwon’s artwork, the audience is demanded to continuously interpret the scene displayed. To interpret his artwork, the spectators consider the significance of the point of view. They should keep having tenacious questions that ask who the characters are, why they show tense expressions on their face and what their situations are. ‘Spectacular visibility’ that is presented in his photographs is also a general attraction of his work. Similar to pictorial puzzle, there exist some infinitesimal hidden figures in his 2-3 meter sized gigantic photos. Discarding the tradition to position main characters in the center of the scene, he expands the scale of the photograph through concealing the protagonist out of the way, in the corner. Therefore, observers are able to be rid of esthetical composition and techniques, and free to be absorbed in the hidden characters of the scene and explore their significance. His artwork can be defined as a process of initial inquiry that probes the essence of photo media to the origin. As a consequence, he attempts to create another world through the photo for a record, for an 'estheticher gegenstand,' and for a challenge of technical limitation. As a result there is a nebulous situation, where it is hard to figure out the circumstance between the deliberate direction of artist and coincidence. The spectators are confronted with difficulties of interpreting situational significance and context. Sunkwan Kwon is a rare attainer who extensively applies the following to his work: the social aspect of photographs, relationship between significance and rhetoric, the range of possibility and limitation of photo media with aesthetical composition.
  • Artist's Education: Korea National University of Arts, M.F.A., Media Art.

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