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A Selection of Twenty of the Most Picturesque Views in Paris: The Water Works at Marli, and St. Germain en Laye seen in the distance

Thomas Girtin (British, 1775-1802) and J.B. Harraden (British)1803

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Girtin, along with his rival J. M. W. Turner, extended the technical possibilities of watercolor and in doing so demonstrated that watercolors could have the visual impact of oils. His reduction of landscape to simple and monumental forms, his panoramic compositions, and his sensitivity to natural effects, such as cloud formations, influenced subsequent generations of watercolor painters. Anxious to take advantage of the Peace of Amiens (October 1, 1801), Girtin went to Paris to see the artistic treasures brought back from Italy by Napoleon and installed in the Louvre. He made graphite sketches of the city and its environs and upon his return to London made etchings based on his drawings. Girtin died of tuberculosis shortly thereafter, and the series was published by his widow and brother.

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  • Title: A Selection of Twenty of the Most Picturesque Views in Paris: The Water Works at Marli, and St. Germain en Laye seen in the distance
  • Creator: Thomas Girtin (British, 1775-1802), J.B. Harraden (British)
  • Date Created: 1803
  • Physical Dimensions: Sheet: 45.3 x 63.2 cm (17 13/16 x 24 7/8 in.); Platemark: 22.7 x 54.5 cm (8 15/16 x 21 7/16 in.)
  • Type: Print
  • Rights: CC0
  • External Link: https://clevelandart.org/art/2006.226
  • Medium: softground etching and aquatint printed in brown, hand-colored with watercolor
  • Inscriptions: In plate: Drawn & Etch'd by Thos Girtin; Aquatinted by J. B. Harraden; LONDON: Pubd Jan 15, 1803 by John Girtin, No. I, Little Newport Street
  • Department: Prints
  • Culture: England, 19th century
  • Credit Line: Gift of John Bonebrake
  • Collection: PR - Etching
  • Accession Number: 2006.226
The Cleveland Museum of Art

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