Massimo d'Azeglio was an artist, writer, and minister during the Italian Risorgimento. "Una vendetta" belongs to the historical landscape genre—this refers to landscape paintings drawn "from life" or in a realistic fashion, but populated with figures from history or literature. This canvas, in fact, makes reference to a heinous murder. Only 3 elements make up the account of the crime: a desolate landscape with a storm looming on the horizon, a corpse in the foreground, and the bandits who are escaping in the distance. D'Azeglio uses the canvas to demonstrate all the power of nature and its expressive and emotional capacity: the sublime vision is made up of quick and hurried brushstrokes, dark light, and earthy, bruise-hued colors that undoubtedly amplify the intensity of the drama.
This painting announced the Turin-born landscapist's full commitment to romantic poetry, abandoning the likable atmospheres that had characterized the previous decade's artistic output.
You are all set!
Your first Culture Weekly will arrive this week.