The portrait of Beata Elisabeth von Königsmarck is painted about a year or so before her marriage to Pontus Fredrik De La Gardie, the younger brother of Magnus Gabriel De La Gardie, in 1655. The flower symbolism in the painting is an example of the ideas of sweet melancholia that was popular at the time.
It is likely that this portrait belonged to the collection of Carl Gustaf Wrangel. However, it is also possible that the painting came to the Brahe family when Erik Brahe inherited the Skarhult estate after the death of Beata Elisabeth von Königsmarck in 1732.
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