A Young Hill Rana

The Power of Spectacle

The Sikh courts of nineteenth-century Punjab left visitors enthralled with their display of pomp and pageantry. Maharajas and courtiers wore magnificent clothes and bedecked themselves and their horses with spectacular jewelry.

One notable exception was Maharaja Ranjit Singh, the ruler of the largest and most powerful of the Sikh kingdoms. While he favored simple clothes of fine cotton for himself, he well understood the power of a display of wealth and insisted that his courtiers, army, and even their mounts be dressed in lavish silks and jewels, especially when receiving foreign dignitaries at court.

Other Sikh kingdoms such as Patiala and Nabha signed treaties with the British, primarily to counter the growing power of Maharaja Ranjit Singh. This arrangement enabled them to keep their courts and armies. The maharajas of these kingdoms, with their ample resources and time, patronized artists and artisans who created opulent ornaments for them and recorded their glorious appearance in portraits.

An important record of the impressions left on visitors to the Sikh kingdoms is found in the writings and drawings of Europeans such as Emily Eden and W. G. Osborne. Some of their works can be seen here.

— Text by Sonia Dhami, former intern specializing in Sikh art, Splendid Garments and Jewels Portrayed by a British Visitor

These hand-painted lithographs were based on paintings created by the Englishwoman Emily Eden. In the late 1830s she traveled through northern India, including Sikh territories in Punjab, in the company of her brother, the British governor-general.

Her position gave her access to many important figures as well as ordinary people. She met the great Sikh ruler Maharaja Ranjit Singh on several occasions, as well as his generals, courtiers, and family members including his wives. After her return to England, she published some of her depictions in Portraits of the Princes and People of India, from which the three shown here come. , “A good looking and pleasing boy,” (in Emily Eden’s words) the “ruler of one of the Petty States into which the Mountainous Provinces . . . are divided” wears an ornate tunic with matching vest not very different in cut from the set displayed nearby. He sports earrings and necklaces and carries not just a pistol stuck into his cummerbund (a word that entered English from Hindi and Urdu) but both a sword and an arrow.