Albrecht Dürer

The Kunsthistorisches Museum Vienna openend to the public in 1891. Hans Makart (1840–84) had originally been commissioned to execute the painting for the ceiling as well as fanlight, spandrel, and intercolumnar areas as part of the interior decorations in the main staircase of the new built museum. The contract was signed in February 1881; in the same year an imperial delegation was able to view the artist’s initial sketches. Shortly before his death, Makart had completed the fanlight paintings depicting “classical heroes of painting” and their “favourite materials”. Makart used Dürer’s Self-Portrait in a Fur Coat (1500; Munich, Alte Pinakothek), so as to depict the artist in an authentic manner in the small scene. In posture and body language the female figure was inspired by Dürer’s engraving Melencolia I (1514). For further Information on the building see: Cäcilia Bischoff, The Kunsthistorisches Museum. History, Architecture, Decoration, Vienna 2010