Nadar was a journalist, novelist, cartoonist, balloonist, lithographer, and, beginning in 1849, photographer. Like Brady’s establishments in America, Nadar’s Parisian studio quickly became a center for celebrity photography, selling compelling images of the major political and cultural figures of the time. Nadar avoided symbolic props and elaborate backgrounds; he let his sitters choose their own pose, putting them at ease enough to reveal glimpses of their true character. Dumas, one of France’s most popular authors, wrote <em>The Three Musketeers.</em> The year this portrait was made, he and Nadar were hoping to collaborate on a play, but their only joint production seems to have been this casual, intimate portrait.