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Allegory of Life

Giorgio Ghisi1561

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

This engraving presents a complex allegory whose complete meaning remains unclear, although the plaques at the feet of the man and woman may provide one clue. The inscriptions come from the sixth book of Virgil’s <em>Aeneid</em>: "He who sits unfortunate will sit forever," and "Do not yield to adversities, but go out to meet them bravely." The print’s details do not correspond directly to any episode from Virgil, although book six, in which Aeneas descends into the underworld, is an allegory of human life. A similar theme could be suggested here, communicating an essentially hopeful message of overcoming tribulation.

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  • Title: Allegory of Life
  • Creator: Giorgio Ghisi (Italian, 1520–1582)
  • Date Created: 1561
  • Physical Dimensions: Image: 38.1 x 54.4 cm (15 x 21 7/16 in.); Secondary Support: 43.1 x 59.4 cm (16 15/16 x 23 3/8 in.)
  • Provenance: Earl Spencer [1708-1746], Althorp, stamp (Lugt Supp. 2341a), lower left, in blue, (Artemis Fine Arts, Ltd., London, England), sold to The Cleveland Museum of Art, Cleveland, OH, The Cleveland Museum of Art, Cleveland, OH
  • Type: Print
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1985.37
  • Medium: engraving
  • State of work: iia/vi
  • Inscriptions: center, in plate: SEDET ÆTERNVM / QVE SEDEBIT IFOELIX [line over the 'I' beginning IFOELIX] ; lower left, in plate: RAPHAELIS VRBINATIS INVENTVM. / PHILIPPVS DATVS ANIMI GRATIA / FIERI IVSSIT. ; lower center, on tablet in boat, in plate: GEORGIVS / GHISI MAT. / .F 1.5.6.1. [line over 'A'] ; lower right, in plate: TV NE CEDE MALIS : SED / COTRA AVDENTIOR ITO [line over 'O' in COTRA] ; VERSO, center, in pen and brown ink: [illegible word crossed out] ; lower right, in graphite: 7073
  • Fun Fact: Ghisi was trained in the creation of luxury metalwork, specifically armor, informing his highly skilled and complex engraving of the copperplate used to make this print.
  • Department: Prints
  • Culture: Italy, 16th century
  • Credit Line: Leonard C. Hanna, Jr. Fund
  • Collection: PR - Engraving
  • Accession Number: 1985.37
The Cleveland Museum of Art

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